Ukrainfilm

A lyrical documentary on the lives of Coal miners in the Donbass who are struggling to meet their production quotas under the Five Year Plan.

Dovzhenko and Solntseva's documentary about the end of the war.

Aerograd is a 1935 Soviet film by Ukrainian director Olexander Dovzhenko, Mosfilm-VUFKU coproduction. It is a futuristic adventure story set in the Soviet Far East. Considered one of two sound masterpieces by Dovzhenko, the other being "Ivan".

Once a long ago the father of Ostap left a village and came on earnings to Donbas. The lined up a shanty put beginning to miner's settlement of Sobacheevka. Ostap went on the way of father, thirty years of bending a back on the owner of mine. And when a father was driven out from work, Ostap understood that it is senseless to blame in the troubles only master.

The film’s content makes no concessions to the usual expectations of Soviet audiences of the 1930s. The cast of characters is extremely unlikely in almost every conventional respect. The action involves the household of the prominent Dr. Stepanov and his young wife, Masha, who share their large and richly adorned mansion with the parasitical Fedor Tsitronov, whose presence in the household is given only the most implausible of explanations. Equally implausible is the acquaintance of the family with the young and proud Grisha Fokin, whose leadership role in the Young Communist League is never clearly defined and who is never seen engaged in any work or professional activity.

In the late 1920s Jewish girl Dora falls in love with a young Russian Komsomol member. His parents,who are captive to religious superstitions, don't like Dora. She still goes to live with him and will find herself facing those superstitions in her husband home too.

At the "Pupky" station, an opportunity occurs: two illegal passengers - guinea pigs - have to be disembarked from one of the trains, since animals cannot be transported in a general carriage. The head of the station Pryvychkin tries to help the animals, but the situation is beyond his control. The audit committee sets out to investigate the unpleasant incident... This witty satirical comedy, in which bureaucracy, bourgeoisie and provincialism are mocked, continued the development of the domestic comedy genre in Ukrainian Soviet cinema.

After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns itself with the natural rhythms of country life, disrupted by the beat of looming industrialisation.

The film attempts to display an episode of the liberation movement in Ukraine - the uprising of Kolievs (serfs, artisans and fishermen) against the tyranny of the feudal lords and the Polish nobility, which ended with a brutal massacre performed by a Russian punitive expedition in 1768.

Historical-revolutionary film about the struggle of the Bolshevik underground against the interventionists during the civil war in Odessa, about the participation of children in underground work.

Based on the Mykhailo Kotsiubynskyi’s novel. At the distillery farmers begin to strike. Local rich men without punitive detachment begin reprisals from rebels. Punitive detachment of dragoons, who called from the city, only completes the massacre.

The life was cruel with Ivas. The landlord sent him at war, and his girlfriend – in the house of ill fame. In the troops an ordinary peasant gets acquainted with an ideological revolutionary and becomes inspired with the feeling of inequity to the existing social structure. And when the time comes to return to the native village, he will make the sir pays by his blood for all wrong-doings against the peasants. A film based on works and biography of the Ukrainian poet Taras Shevchenko (1814 - 1861).

Wartime documentary by Dovzhenko and Solntseva.

A boy named Tuk and his dog Zhuk have a vegetable garden, but their harvest is in danger from Pig and Fox who are looking for a quick profit.

About the uprising of Ukrainian peasants under the leadership of the national hero Karmelyuk against landowners and Polish gentry. In the 1830s, Young Count Piglovsky returns to his estate from Paris. The carriage in which he is riding is surrounded by rebellious peasants. Their attempt to hang the master is canceled almost at the last moment, because it is not the count in the carriage, but his lackey - Ustym Karmelyuk. Ustym really serves as a lackey in the count's house and at the same time leads a peasant uprising. The government sends the army. In a fierce fight, Karmelyuk is almost captured, but he is saved by one of the serfs.

On the participation of Komsomol members in the restoration of the coal industry of Donbass.

Made during the rapid industrialisation and collectivisation of Stalin’s Five-Year Plan. Kaufman countered the poverty of the villages with the geometrical rhythm of mechanised factories; militarisation is shown as the next step of the ‘unprecedented campaign’. "The proletariat, having become master of one sixth of the globe, frees the rural working people from the kulak oppression… THE PROLETARIAT …engages the peasantry in a joint campaign for Socialism. This is what the film speaks about".

The cadet Vasya Yarochkin and his girlfriend Olya attempt to catch an escaped stallion named "Intriguer".