On the planet Ygam, the Draags, extremely technologically and spiritually advanced blue humanoids, consider the tiny Oms, human beings descendants of Terra's inhabitants, as ignorant animals. Those who live in slavery are treated as simple pets and used to entertain Draag children; those who live hidden in the hostile wilderness of the planet are periodically hunted and ruthlessly slaughtered as if they were vermin.
How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.
The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities.
Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.
Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.
Two enigmatic women, Leni and Viva, separately arrive in Paris, each with a hidden but shared motive. As they navigate the city and their search progresses, various characters become entangled in their conflict, one which increasingly comes to take a fantastical turn. These characters too, driven by their own desires, strive to assert their influence in the struggle. In Paris, drenched in an otherworldly ambiance, an opaque tale of desire and power emerges through mystery and secrets.
A documentary that follows Dr. Penny Patterson's current scientific study of Koko, a gorilla who communicates through American Sign Language.
Agnès Varda's documentary portrait of her late husband, Jacques Demy. A companion piece to her Jacquot de Nantes.
A middle-aged man travels to France and is discouraged by the attitudes of the people concerning his native land until he meets and begins relationships with two lonely women.
Lost for 50 years, these newly discovered concerts were filmed at the 1961 Antibes Jazz Festival in France and show Ray Charles in his prime period with the original Raeletts and his most legendary band (including David "Fathead" Newman and Hank Crawford). These first concerts he ever gave in Europe opened the door for Ray Charles to become one of the most revered international stars America has ever produced.
A slice of life of a group of young working class friends in a Northern French village coming to the end of their school years and embarking upon adult life. The film follows the choices and decisions made for their futures.
Since the early days, Jerry Lewis—in the line of Chaplin, Keaton and Laurel—had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was far more than just a clown. He was also a groundbreaking filmmaker whose unquenchable curiosity led him to write, produce, stage and direct many of the films he appeared in, resulting in such adored classics as The Bellboy, The Ladies Man, The Errand Boy, and The Nutty Professor.
Belgian filmmaker Chantal Akerman lives in New York. Filmed images of the City accompany texts of Akerman's loving mother back home in Brussels. The City comes more and more to the front while the words of the mother, read by Akerman herself, gradually fade away.
Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.
In a series of long interviews, 12 prime ministers talk about their experience in the upper echelons of power. The function of prime minister, torn between the president and the parliament, appointed without necessarily being elected but responsible for everything, is at the center of debate. With the exception of Jacques Chirac (1974-1976 and 1986-1988), deliberately left out because of his image as French President, those who governed France for the past 35 years agreed to discuss the exercise of power, as seen through archive footage, but also how they experienced it personally. Filmed in the same studio and sitting in the same chair, 12 French prime ministers talk freely about their time in office, from their appointment until their resignation.
"Il suffit d'écouter les femmes": these famous words were pronounced by Simone Veil when she defended her law on abortion, in 1974, before the National Assembly. For the first time, women who have used a clandestine abortion in France before 1975 evoke their painful, release or traumatic experience. These moving testimonies make it possible to discover the incredible diversity of the means employed, the dangers incurred, the participation of children, the role of men, that of doctors, sometimes even the violence committed on women.
In an empty villa, Vera Baxter sits and contemplates her life, as she recounts to a woman who was drawn to the villa when she heard the name Vera Baxter pronounced. Vera tells her about her no-good husband, who has been using her to keep his failing business afloat, up to her present love affair.
Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.
A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.
