关键词 Landlord

本片展示了画展开幕式之前一位艺术家的日常及其与他人的关系。生活中的混乱成为了她的灵感源泉。

当年轻的傻瓜进入家庭贪婪和不信任的房东的家中时，他发现一个令人不安的情景，那里的乱伦成年兄弟姐妹已经毁坏了一些男孩，并将他们囚禁在他们大的令人毛骨悚然的房子的楼梯下。由于傻瓜试图在精神病患者赶上他之前逃跑，他遇见了他们的女儿爱丽丝，爱丽丝一直被她流氓的父母免于任何极端的纪律。可以愚人节和爱丽丝逃脱之前太晚了？

刚刚经历了一段失败感情的卡莉（莎朗·斯通 Sharon Stone 饰）决定换一个生活环境开始新的生活，于是，她入住了“碎片”大厦。果不其然，没过多久，卡莉就在此处结识了两个风流倜傥的男人杰克（汤姆·贝伦杰 Tom Berenger 饰）和泽克（威廉·鲍德温 William Baldwin 饰），通过这两个男人之口，卡莉发现了一个惊人的秘密，自己租住的房子的原房客系自杀身亡，而熟知此事的邻居也在不久之后于建筑内被害。 在和泽克深入交往之后，卡莉发现他竟然就是这幢公寓的主人，而在公寓的角角落落里，布满了泽克设置的，用于满足他偷窥癖好的摄像头。一时间，杀害两名死者的凶手的嫌疑落在了泽克的身上，然而，这一切到底是假象还是事实？卡莉也无法判断。

年轻的女医生意识到自己在布鲁克林的公寓里并不是独自一人，因为还有如影随形的房东。

房产主安德鲁斯打算拆除名下一幢旧楼，但聚居在此的贫苦人家不搬，发誓斗争到底。安德鲁斯去自己的屠宰场找工人比德洛帮忙。比德洛非常感谢老板给他工作，对安德鲁斯言听计从，马上搬进了他家的储藏室。安德鲁斯的老婆帕洛玛经营一家肉铺，对肌肉发达又勤快的比德洛十分满意，不自觉地看上了他。与此同时，比德洛奉安德鲁斯之命趁夜去旧楼搞破坏，推倒了一个当面质问他的老头儿，被众人追杀，藏进了老头不知情的女儿米卡家。比德络爱上了这位善良的姑娘，第一次开始思考老板口中的“禽兽暴民”究竟是谁……

根据苏联作家马克西姆·高尔基的同名剧本《在底层》改编拍摄。

托伦知道男孩追求女孩的诀窍。柯林处心积虑地想要学会它，乡下姑娘南西则心甘情愿受这套诀窍摆布。汤姆是热心古道的艺术家，也对这套诀窍感兴趣。男孩追求女孩的诀窍，说起来也没有什么神奇的地方，只要你福至心灵就能够心领神会，就能够水到渠成，心想事成，一切尽在不言中。

一位运气很衰的演员，在一天内见证了所住的破公寓“杀害”了的n条性命。陪他一起的还有一位创作剧本的朋友，他们希望共同筹划出一部自己出演的理想剧本。二人为了解决当前的窘境，试图圆回公寓内的命案让别人相信这是一场偶然，却越弄越糟。但他们最后发现，也许人们最愿意相信的、最能理解的并不一定是事情最可能发生的结局。与其重写这一天——试图按照所有人理解的那样——不如把自己身上发生的、难以置信的事，如数搬上荧幕，真正出演一部有我出境的影片。

A sitcom about three divorced men sharing an apartment across the hall from their female divorce attorney, who is also their landlord.

Wu Yi is a little boy who has lost his parents but lives a warm and happy life with his aunt, Wu Jiao Jiao, who runs a martial arts hall. His uncle, domineering president Qi Mo, wants his father to meet his only grandson and so he begins a custody battle with Wu Jiao Jiao, who is a passionate young woman that will not give up easily.

Christopher Jefferies's life is turned inside out when one of his tenants disappears without a trace just before Christmas.

Seven British construction workers escape Britain's ever growing dole queues and travel to Germany to work on a site in Dusseldorf. We follow their trials and tribulations of working away from home and away from the women they left behind.

The Pub Landlord’s rules are a pint for the fella and a glass of white wine or fruit based drink for the lady. It might be the 21st century but the landlord’s gaff is the last bastion of all things normal. He ain’t interested in change. It’s just the way things are, and don’t you or anybody else go questioning it.

Hey, Landlord is an American sitcom appearing on NBC during the 1966-1967 season, sponsored by Procter & Gamble in the 8:30-9pm Eastern time period on Sunday nights. It is notable for its casting director Fred Roos, who later became a producer for Francis Ford Coppola. Roos discovered counterculture sketch group The Committee in San Francisco and cast all members in bit parts in Hey, Landlord.

6 people live together in Xian's apartment, and romantic feelings begin to grow under the eaves...

Sitcom about flatmates Josh, Kate and Owen, and their annoying landlord Geoff.

Al Murray's Happy Hour was a chat show presented by comedian Al Murray and produced by Avalon TV. The first series aired in early 2007. It is broadcast on the British terrestrial TV network, ITV, and the first series was broadcast on Saturday nights at 10pm. The second series aired on Fridays at 10pm. A third series returned to ITV on 12 September 2008, in the same 10pm Friday night slot. However, UTV in Northern Ireland did not show the third series in the 10pm Friday night slot with the other ITV regions. They now show it the following Thursday at around 11.40pm, due to UTV regional programming on Friday nights. Murray presents the programme in his Pub Landlord persona: a stereotypically nationalistic, chauvinistic character. The show contains stand-up, guest interviews and live music. The show ends with Murray performing a Queen song with the musical guest.

Owning an apartment building has advantages, but getting rid of undesirable tenants can be a real nightmare. These hostage landlords share their stories and their dismay. From these dramatic reconstitutions, this series shows the issues created by these problem tenants, the costs associated with repairing the damage and the almost non-existent recourse.