Dr. Jekyll and Mr. Hyde 1912
Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.
Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.
In "The World and the Woman", Jeanne Eagels plays Mary, a prostitute (which is implied by her walking the streets and being hassled by policemen) who reluctantly takes a better position at a country lodge as a maid. In this woodland community, she attends church and the path to Salvation becomes clear to her. Through Mary's faith, the injured folk of the countryside are healed. However, her old employer, whose lustful advances she'd previously spurned, still has designs on her.
Helen Randall and Ruth Foster were little tots. The two children lived side by side on one of the fashionable streets in New York City. One day Helen and her parents were starting for the park when the little one suggested that they invite Ruth to go with them. The idea pleased them all, and as to Ruth, she was in an ecstasy of delight. She skipped down the steps into the Randalls' automobile, and her father (a widower), watching her as the machine whizzed off, realized more than ever the little treasure he possessed.
During his daily duties, Casey the Cop rescues a woman who's soon his sweetheart. Later, she learns from her banker uncle that her inheritance has been stolen, and he's accusing Casey's own cashier brother. Casey is on the case.
The young owners of a California orange grove loved each other, but they were unhappy because their lives were so narrow and circumscribed. Each dreamed of wealth and prayed continually that it might come. Sometimes dreams come true and in this particular case they did. Wealth came to the couple and they were in a position to gratify their every fancy.
Outside the door of the home of a sculptor and his mother, fell a poor, friendless young girl. They took the girl in and cared for her, and as time went on the mother began to regard her as her daughter. The son regarded the affectionate advances of the girl with only brotherly love. But there came a time when the misgivings of the son changed, for he began to pay scant attentions to a young beauty he met at a reception and who was characterized as a woman with a heart "cold as marble." This piqued the beauty, who was accustomed to abject adulation. She determined to bring him to her feet and in this she succeeded. She offered to pose for him, and, spurred on by such a splendid model and her praises, he produced a figure which was acclaimed by all the critics as a masterpiece.
The course of true love was running very smoothly until the girl became interested in the cause of votes for women. Her fiancé did not approve of it. There was a quarrel, and the engagement ring was haughtily returned. The young woman not only stubbornly refused to make up, but decided to become a really truly militant suffragette.
Elaborately produced version of the well known George O. Nichols fairy tale interrupted by just a few summarizing intertitles, with Florence LaBadie and Harry Benham.
She was the first attempt in film to depict the story of H. Rider Haggard's 1886 novel She: A History of Adventure.
A good example of the clever light comedy Thanhouser produced for its Falstaff label, while other studios cranked out broad slapstick comedies. Harry Benham and Mignon Anderson were versatile and popular Thanhouser stars, here showing considerable skill in light comedy, a genre that invites plenty of satirical social observation such as the burgeoning beauty-salon industry here. Cinema technique shows much more intricate editing and freer use of closeups than just a year or two earlier.
According to the tale found in the ancient annals, the little town of Hamelin, in Hanover, found itself, five hundred years ago overrun with rats. The citizens tried every way to abate the plague, but without result. Finally a mysterious stranger appeared in the town and offered for the sum of 1000 guilders to clear the place of vermin.
This elaborate and well-staged silent version of Hertz' play is exceedingly well produced for 1913: it starts off by introducing the actors by name and role, then showing them in double exposure in street clothes and in costumes. The production values are also elaborate and the look of the set designs reminds one of the elaborate backdrops that Melies used in his shots.
The Fisherwoman was a dominant force on the busy island. Unaided she had built up a large business. She employed many fishermen, and grew wealthier year by year. She sent her son to college, and was delighted when he told her, after graduation, that he intended to help her in the work. Contact with the world, however, had spoiled him for a narrow life. The mother divined his secret, although he tried to hide it. "You have your own life to live, my son," she said, "and I would not keep you here." The son's progress in business was rapid. One day word came from him that he was married, and he sent his mother the picture of his bride. Time passed, and the son wrote more and more infrequently. The mother believed that the wife was to blame, and although they had never met, she began to hate her bitterly.
An investment plan that tells potential investors they can "get rich quickly" turns out to be a swindle, and investors are in danger of losing all their money.
A three-reel version of the famous stage production. Don Jose, the hero of the famous book by Prosper Merimee, and Bizet's celebrated opera, was born in the Basque Provinces of Spain. He was a young, good-looking peasant, devoted to his old mother, and greatly in love with his pretty sweetheart, Mercedes. The plans of Jose and Mercedes for an early marriage were rudely dissipated by the news that the young man had been drafted for service in the Spanish army. Jose comforted his mother and Mercedes, telling them that he would soon return and they would never be separated again.
Audrey Munson (a real-life 'perfect' model for numerous Beaux-Arts sculptors) first appeared artistically nude as a sculptor's model, recreating classic artistic (nude) paintings in George Foster Platt's controversial film from the Mutual Film Corporation. In fact, the film told the story of her own life. This film has generally been regarded as the first non-pornographic American film to feature nudity. This was the first known film in which a leading actress stripped down to be naked, making her the first nude film star. (filmsite.org)
Family drama of a a brother and sister who take to the stage.
The production vindicated the new feature-length movie format by restoring several characters, plot complications, and atmosphere that had been truncated in Thanhouser’s 1910 version of less than one-sixth the length.
Drama of life in the foreign legion of Africa
Based on the novel of the same name by Mrs. Henry Wood (Ellen Wood).