While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can't steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.
In the Sengoku period, a woman and her daughter are raped and murdered by soldiers during a time of civil war. Afterwards, a series of samurai returning from the war through that area are found mysteriously dead with their throats torn out. The governor calls in a wild and fierce young hero to quell what is evidently an Onryō ghost. He encounters the two beautiful women in an eerie, beautiful scene. After spiritual purification, he meets the demon in a thrilling fight.
A family of four are the sole inhabitants of a small island, where they struggle each day to irrigate their crops.
Reform schools are a way of protecting society by ridding it of lawless juvenile delinquents. But who's protecting the juvenile delinquents from corrupt reform schools? Rica could be considered a bit of an expert on reform schools, having spent most of her early life in and out of them. When Rica is dragged back once again, she gets a severe beating and is finally sent off to a mental hospital with the intention of selling her and her pals into a slave trade. A trader takes Rica's friend Jun to a mountain cottage where she's pegged for the lead in his clandestine porno film operation. Once again, it's up to tough-as-nails Rica to bust up this corrupt racket once and for all!
A gas leak explosion at a yakuza hideout provides a shy nurse and a rental car clerk with the opportunity to take a briefcase full of money. A cross-country chase ensues.
The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.
Based on Kakuko Mori's autobiography, about her life and retirement from acting due to her increasing blindness.
Shows the devastation caused by the atomic bomb, and by use of a fictional storyline, portrays the struggle of the ordinary Japanese people in dealing with the aftermath.
A retired actress whose husband has recently died visits her summer home. There she has encounters with old friends and acquaintances who bring various stories and news of death and the past
It is based on the story of The Ballad of Narayama updated to the present day, with the substitution of putting a parent into an old people's home for the abandonment of the original. The film won the Golden St. George and the FIPRESCI Prize at the 21st Moscow International Film Festival.
A story of Japanese writer Kafu Nagai (1879-1959), a man about sixty with a huge reputation of seducer who falls madly in love for a young geisha named Oyuki. Meticulous and smartly dressed, Nagai patiently wrote in his diary his thoughts during many years. A melancholy reflection on the passage of time and a brilliant interpretive exercise.
Ginko, a poor cobbler's daughter, becomes a geisha to support her family. She passes from one geisha house to the next, trying to find love and hope in the process. No matter how hard she tries, she just can't escape her sad fate.
Based on a true story, an elderly woman resiliently spends nine months attempting to retrieve her husband's dead body, fighting government bureaucracy and indifference all along the way.
A well-respected drama teacher confesses to his housekeeper that the atomic bombing of Hiroshima has left him impotent. With the coming of spring, the sympathetic housekeeper suggests that the Master observe the Yobai , a custom in which the young men of a village steal into the bedrooms of susceptible women to have sex.
A divorced woman enters a marriage arranged by her mother in exchange for money to save the life of her seriously ill son.
The 95-year-old director shot the film in his hometown of Ishiuchi, Hiroshima. The story is based on a teacher he had when he was a child.
The ship Kaijin Maru is left adrift after losing all means of navigation in a storm. The four people on the ship are becoming increasingly desperate as food and water run out.
“Quit working as a nurse!” “All right, I will!” thus began the married life of Yasuo and Keiko. But the reality is harsh. Keiko even had to work on the first night after her marriage. Ten years later, the married couple is still at it. Yauso tends to the house and their children, while Keiko sacrifices family life for life as an overworked nurse. One day, after Keiko comes home utterly exhausted and dejected from her work, Yasuo makes up his mind and writes a letter of resignation in her place. Upon learning of this, Keiko angrily declares that nursing is what she lives for and she will keep on working. Realising that that is one battle he will never win, Yasuo sends a letter to a newspaper -- “Nurses’ husbands, aren’t you having a hard time? Get together nurses’ husbands. Contact me.” There is a tremendous response. This leads to the formation of many unions of nurses’ husbands throughout the country.
In 39 interviews with actors and actresses, writers, producers and staff members, interspersed with film excerpts and stills, Shindō recounts the life and career of his friend and mentor Mizoguchi.
A 1977 Japanese biographical film directed by Kaneto Shindo based on the life of shamisen player Takahashi Chikuzan.
