טיטל | Recorder: The Marion Stokes Project |
---|---|
יאָר | 2019 |
זשאַנראַז | Documentary |
לאַנד | United States of America |
סטודיאָ | End Cue, Electric Chinoland, C41 |
געשטאַלט | Michael Metelits, Marion Stokes |
קאָמאַנדע | Matt Wolf (Director), Keiko Deguchi (Editor), Jaf Farkas (Art Direction), Matt Mitchell (Director of Photography), Walter Kortschak (Executive Producer), Lisa Ciuffetti (Co-Producer) |
קיווערד | media, 1970s, socialism, collector, biography, vhs, archive footage, tape recording , 9/11, mass media, video recorder, communism, videotape, iran hostage crisis, 1980s, activist, 1990s, compulsive hoarding, media criticism, media power, film archives, 2000s, local television, reclusive, 2010s, compulsive collector, lost media, documentary, digital archiving, television, vhs tapes, sandy hook, home archive, biopic, archivist, archiving |
מעלדונג | Apr 25, 2019 |
רונטימע | 87 מינוט |
קוואַליטעט | HD |
IMDb | 6.70 / 10 דורך 9 וסערס |
פּאָפּולאַריטעט | 1 |
בודזשעט | 0 |
רעוועך | 0 |
שפּראַך | English |
Recorder: The Marion Stokes Project
media, 1970s, socialism, collector, biography, vhs, archive footage, tape recording , 9/11, mass media, video recorder, communism, videotape, iran hostage crisis, 1980s, activist, 1990s, compulsive hoarding, media criticism, media power, film archives, 2000s, local television, reclusive, 2010s, compulsive collector, lost media, documentary, digital archiving, television, vhs tapes, sandy hook, home archive, biopic, archivist, archiving