Foo Hwa Cinema Co., Ltd.

In the last days of the Ming dynasty, a heroic martial artist battles the evil chief of the palace guard.

A young innocent woman is raped by a gang of five men. Years later the young woman has matured into a sophisticated lady and singer. The five guys have gone their separate ways, however one by one, she finds them and sets about her revenge.

One criminal gang gets its hands on a stolen 'national treasure', and another gang steals it from then...One gang needs a martial arts expert to get the titular valuable back for them, but he won't do it so they kidnap his brother to coerce him to help.

Also known as The Blind Swordsman's Revenge, this is Zatoichi Versus The Flying Guillotine (1972). Zatoichi is "born Wu Ching Hui, he was kidnapped by pirates as a youth and taken to Japan, where he learned his cane sword skills. He appears to be widely known in China by his Japanese name, but as the film opens he is just returning to China to look up his long-lost brother, Tieh Hou. To his dismay, he learns that the brother has been killed in a sword duel with one Chu Yen Jieh. The grief-stricken prodigal blubbers in mourning and vows revenge."

Tsu Hong Wu is a highly fictionalized fantasy retelling of the early years of Zhu Yuanzhang’s life that was obviously geared toward younger audiences. The tale actually begins in Heaven, where the various gods are busy paving the way for a new emperor. The very basic facts of Zhu Yuanzhang’s life are ostensibly correct, but it takes a rather unexpected turn into traditional giant monster territory, with a Taoist priest summoning a gigantic red-haired ogre (amusingly referred to as ‘superman’ in the subtitles) to destroy our heroes, who are in turn rescued when a golden dragon (the animal manifestation of one of the deities from earlier in the film) rises from the ocean to do battle with said ogre

A man returns to Japan to avenge the death of his father.

An arduous romance between a countrywoman and an ARVN sublieutenant.