Iyaziwa Ukusuka Rwanda

An orphan of the Rwandan genocide travels from Kigali to the countryside on a quest for justice.

In the hilltops of Burundi, a group of escaped coltan miners form an anti-colonialist computer hacker collective. From their camp in an otherworldly e-waste dump, they attempt a takeover of the authoritarian regime exploiting the region's natural resources – and its people. When an intersex runaway and an escaped coltan miner find each other through cosmic forces, their connection sparks glitches within the greater divine circuitry.

For the first time, light is shed on the Inkotanyi politico-military movement that ended the genocide of the Rwandan Tutsi in 1994 and is led by Paul Kagame, currently President of Rwanda.

After being imprisoned for the killing of ethnic Tutsis during the Rwandan genocide, Manzi must face the emotional and psychological consequences of his most personal crime: the murder of his best friend's family.

Following the story of a genocide survivor as well as son of a killer, the film revolves around the meaning of an old coat and its symbolic value for the young boy’s dramatic past. (African Film Festival, New York)

1994, Rwanda. As the genocide rages on, a pastor and his young daughter take shelter in the hut of a feared shaman : Bazigaga. Hunted by the militias and trapped with the strange woman sorcerer, Karembe seeks a way out.

Three family stories intersect in present-day Rwanda: a mother tries to cope with the loss of her son, a young woman takes care of the ailing father she never truly loved, and a small-time criminal prepares his son for a life of living by his wits.

Rwanda, 2012. The country is emerging from an era of silence after the 1994 Tutsi genocide, and people's courts are being set up with the aim of bringing justice and reconciliation. Veneranda, a survivor, is convinced of the need for these trials. Despite pressures, she organises discussion sessions between victims and the families of the executioners. Therapy for some, an act of betrayal for others, these testimonial sessions revive and reveal the traumas that each of them try to overcome, in their own way. The wounds of Veneranda's past are exposed again when she learns of her daughter's unexpected pregnancy and the identity of the father. Veneranda has to face her own contradictions and the dark parts of her past.

The ruins of a house represent the remains of the genocide in Rwanda. A young man attempts to remember his mother, who disappeared.

A young woman goes back to her native village fleeing from an abusive marriage and looking for emotional support. However, she will find herself facing the hostile attitude of her family and social norms ruling what a real woman should be.

Eva, a young Rwandan woman, dreams of attending medical school. But her aspirations are interrupted when she is kidnapped by a group of men as a part of the Guterura rite of enforced marriage. Abandoned by her family, she struggles to cope with the grim reality of her new life with her new husband Silas and his cousin. While Silas is away working, the two young women form a tender connection as they spend their days doing household chores, beading, making tea, and swapping family histories and memories of the genocide. Despite this newfound ally, Eva contemplates running away to a life of freedom.

After being confronted by his uncle on the night before his mother’s burial, an introverted artist is abruptly faced with his unforeseen feelings for a close friend.

In 2058, somewhere in Africa, Nijimbere and Kamikazi tell, in front of the camera, a story that happened forty years earlier. The Bagabuzi and Banyamazi are living a cordial harmony, when in 2017, when the global shortage of drinking water makes life difficult, the decontamination of the springs becomes more complicated. A deaf antagonism settles in between the two communities. In this context of mutual mistrust and hatred, unbeknownst to their families, Nijimbere (a Mugabuzi) and Kamikazi (a Munyamazi) love each other and communicate regularly with the complicity of Mizero, Nijimbere's cousin. But circumstances will soon change the course of their lives and the entire community.

All of her life, Laura has carried a big secret in her heart. But everything changes in one day when she gives in to a chance encounter.

A bullied boy tries to join a boys football team.

Gatoni Maya, a 23-year-old brave girl, is resolved to fulfill her deceased father's dream of making a living through arts.

Mnemosyne is a eulogy by a grieving and nostalgic man for a mysterious girl he met when he was desperate and anxious about life. The meeting brought hope and since then, they briefly enjoyed each other’s company till the girl’s complicated past and the unfairness of life took over and grabbed her away.

Twenty-five years after the genocide of Tutsis in Rwanda, filmmakers visit a country still haunted by the massacres of spring 1994. A group of inmates try to understand what made their participation in the fourth genocide of the 20th century possible. In Kigali Prison, some testify about their abuses against Tutsis. Directed by Violaine Baraduc and Alexandre Westphal as part of a thesis on the participation of women during the genocide, the film questions the generalization of violence to all layers of Rwandan society.

Fifty years after the Holocaust, the world allowed another genocide to take place, this time in Rwanda. In April, 1994 the international community, including the U.S., sat by and watched as 800,000 Tutsi men, women and children were massacred. The killings took place under the eyes of UN peacekeepers. Today, Rwanda remains torn by ethnic killings. Shot over three years, CHRONICLE OF A GENOCIDE FORETOLD follows several Rwandans before, during, and after the genocide.