Krakatit

Krakatit 1948

6.50

In early 20th century Czechoslovakia, a gravely ill chemist recalls his discovery of a powerful explosive and how it landed in the hands of anarchists.

1948

The Stolen Border

The Stolen Border 1947

3.00

Czech film tells the story of a border town in World War II. Family members and friends become enemies.

1947

Nikola Shuhai

Nikola Shuhai 1947

5.00

At the end of the First World War, Nikola Shuhai and his friend from the army desert. On the way home, to the village of Kolochava, they both find refuge with baby Jaga. Jaga mixes them a drink to protect them from the deadly bullets. The bachelors must promise to marry her daughters in exchange for a drink, or they will be punished. Nikola finds his home village in poverty. He stands against the powerful and the rich, and they turn the gendarmes against him. Nikola hides from them in the woods, where he will remain even after the end of the war, because nothing has changed for the villagers. Out of poverty and hopelessness, other men join Nikola and together they raid the wealthy. Nikola distributes the obtained booty to the poor and needy, who see him as their protector and hero.

1947

Capek's Tales

Capek's Tales 1947

7.40

Five crime stories connected by the narration of police superintendent Bartosek.

1947

Men Without Wings

Men Without Wings 1946

5.70

After an attack against the guard of the Third Reich, Nazi repression intensifies, and the Czechoslovakian resistance's organized sabotage in an aircraft factory leads to Gestapo shootings.

1946

The Strike

The Strike 1947

6.00

In late 19th century Czech-speaking Bohemia, oppressed workers at German-owned mines and foundries revolt against their harsh working conditions. Made shortly after World War II as Czechoslovakia was falling to communism, the film resonates in Czech resentment of the German occupation.

1947

The Portrait

The Portrait 1948

6.50

People are afraid of the usurer Chazaj and are convinced that he is the bearer of evil. One day Chazaj pays a visit to the poor artist Simon Jordán and asks him to paint his portrait. Simon agrees but as he progresses with the work his mind conjures up terrible thoughts and in the end he commits suicide. The portrait looks lifelike and Chazaj is content with the results. After Chazaj's death the picture changes hands and brings misfortune to all who own it. The last victim is the young painter Roman who buys Chazaj's portrait in a bazaar. He finds a treasure in the frame and begins to live well off it. The comfortable life suits him so well that he rejects his original artistic aims and becomes a painter of fashionable kitsch.

1948