Film School of the Aristotle University of Thessaloniki

In a skate park teenage Charis tries desperately to convince his best friend to go talk to his crush, the hottest skater of the park. But Charis crosses the line and puts their friendship at risk.

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Maria and Nikos, a married couple coping with alienation, are spending the weekend at a hotel nestled in nature, by the river Acheron. During their stay, they will try to find new balance in their relationship.

A boy explores his grief and searches for peace, through a series of dreams guided by music.

Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.

Two friends, a boy and a girl, at the age of 16, decide to deal with the taboo of being naked.

Fast on his feet with a fat mustache, short stature, and investigative gaze. For a couple of days in the mountain, in his native land, we approach a man, strange and loud but nevertheless genuine and sensitive, a hunter. In his own way, Mr. Sotiris shines light on our bond with nature, history and man.

While ascending a staircase on his way to an important meeting, a man is faced with a dilemma.

The deterioration of Medea and Jason's relationship begins while they are waiting for their first child to be born.

Thanasis, a rising movie star is excited about the new movie he is starring in. This movie is called FILM. The excessive ambitions and artistic vision of the director that will lead Thanasis to madness. He himself is determined to discover the secret of filming and ultimately the secret of life. In a film shooting nothing is as it seems.

In the documentary "Rhythms of the City" we follow a group of parkour athletes over a period of a few days and through this the culture of parkour in Thessaloniki is presented, the daily routine of the trainings they do, the points or "spots" they do, various opinions and explanations through interviews and of course, crazy tricks. This project aims to bring the everyday person closer to parkour and develop a good level of familiarity between the public and this sport.

A haunting experimental stop-motion animation that reveals the violence of heteronormativity, gender and patriarchy on trans bodies. Erma, neutral: Principles or motives that guide one's behavior or actions. A film about gender, the body and all their intertwining moments in between. Through an abstract stop-motion / body horror narrative point of view it attempts to highlight the continuous process and struggle of the construction of gender subjectivity against the oppressive power of heteronormativity. From birth to death the error in the code of patriarchy is subjugated and resisted, emerging but also trapped by the erinyes of the social. With an ironic and critical mood and intense religious symbolism, Erma highlights the contradictions of gender composition both in the field of solitary subjectivity and in the dominant heteronormative narrative. Gender identity is a war waged in the trenches of the body.

Washingtonia starts when the giraffe's heart can no longer be heard. Washingtonia is an alternative name for Athens, a place where people, like animals, fall into summertime sadness because of the heat. Washingtonia is the only palm tree whose heart is not devoured by the red beetle. Because its heart is small and dry and no one likes small and dry hearts.

Stamatis cannot get over his breakup with Katerina. He stays locked inside, until one night Katerina visits him with one purpose only: to get him out of the house.

A group of film students return to the professor the equipment they borrowed to shoot their film. The professor discovers that the equipment is broken and interrogates the students one by one to find out who is responsible. No one wants to take responsibility

A trip to the creating of the theatrical costume, starting from the first idea in the costume designer's mind, until the final construction by the dressmaker's hand. The film follows the set up of the exhibition "Traces of ephemeral", coordinated by Ioulia Stavridou for the National Theater of Northern Greece. By her students to her memory.

Despite their different perspectives on things, three people set up a conspiracy plan to escape from a mental institution.

A 10-year-old girl returns angry after a bazaar with her friends. On the way home, she finds an injured cat. While trying to take care of it, she has to confront her troubled relationship with her mother and her sister.

A discussion about the male gaze.

The documentary Creative Producer: The Unsung Hero of Greek Cinema explores the role of the producer in the creative process of Greek cinema, highlighting the complexity and unseen creative role that distinguishes this special profession.