Krátký film Praha

A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.

After two troubled but powerful men rape a young hitchhiker who happens to be a vet, she drugs them and removes their testicles.

School begins, and one day at a time, Emily and her new classmates learn new ideas, expand their world, and grow closer together.

When Winnie, who never reads, lifts off with a foxy stranger, sensible Harriet must use every ounce of energy and brain power to rescue her.

Quite a few years have passed since November 1989. Czechoslovakia has been divided up and, in the Czech Republic, Václav Klaus’s right-wing government is in power. Karel Vachek follows on from his film New Hyperion, thus continuing his series of comprehensive film documentaries in which he maps out Czech society and its real and imagined elites in his own unique way.

"The whole film talks about the time when I was first locked up, from sixteen till now, I’m 22 now, and during that whole time I was out maybe five months, and I’ve really had it by now. It’s also about why I’d given my life to Jesus Christ and then failed that Jesus in me because I was tempted by earthly pleasures; and it’s also about how every time I’m ready to start a new life, I get locked up again because it’s always too late. It’s just too late. That’s the greatest shame and that’s what it’s about..."

Sad love story about Martin, who is sent to a psychiatric hospital for observation after displays of hooliganism, and Markéta who is recovering from post-traumatic shock after her mother's suicide.

The evils of totalitarianism provide the central message of this Czech-French drama. The film is set in a quiet, rural village headed by a suspicious, conspiring group of nasty leaders. Evald has come there to measure water levels. Surrounding the fortress near the village are soldiers

A short adaptation of the book by Helme Heine

A fictional story of Wolfgang Amadeus Mozart's stay in Prague. The film, in no case, claims any historical facts. It only tries to evoke the spirit of that time by connecting Mozart's music with the architecture of Prague and by pointing up the changes in Prague during Mozart's two-hundred absence in the Czech metropolis.

A modern version of a classical fairy-tale by Hans Christian Andersen about a veteran who got rich thanks to a magic flint and thus he could marry a beautiful princess.

An artistic animated short showing the life in secondary school.

In this antological film, four fairy tales from the book by Jan Werich, each one by a different director. Břetislav Pojar directs the story of Thumbelina, Aurel Klimt "The Hunchbacks of Damascus", Vlasta Pospíšilová "Three Sisters and a Ring" and Jan Balej close the film with "The Sea, Uncle, Why is it Salty?".

In 1963 a documentary film, Children Without Love [Dětí bez lásky], was smuggled out of Communist Czechoslovakia to the Venice Biennale film festival – and was screened in cinemas at home, surreptitiously tagged onto the end of a Miloš Forman film. It showed emotionally distressed young children looked after for long hours in state crèches, many from the first weeks of infancy. A collaboration between filmmaker Kurt Goldberger, child psychiatrists, a crèche headmistress and a reformist journalist, the film eventually led to a change in the law, with the Communist Party committing to extend paid maternity leave for women, reversing the state’s ideological prioritising of collective child-rearing and full female employment.