After the suicide of his best friend and the fire of a local dance called Cromañón, including recitals, illegal parties in an abandoned warehouse and high school, a year passes by in the life of Zabo who writes everything he feels and lives in his blog, "Memories of a teenager".
Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.
Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.
The imminent death of a matriarch forces her whole family to reunite. From her dying confession, other hidden episodes will come to light. Each of the family members will face what they would prefer remained buried. Nobody is free of killing for love.
Justina, a young graphologist, finds out that Patricio, her eternal summer love, is getting married in Patagonia, the place where she vacations since she was a child. He decides to travel and arrives in whale season. He is staying at his aunt Amalia's, owner of a restaurant specializing in seafood. Everyone speculates that he comes to interrupt the wedding. She sees her old love again, but the town and its fauna will lead her to an unexpected reunion. The sea and the whales assemble a new universe of identity.
Set in the north of Argentina. Yolanda, a young girl of Wichi origin, tells in her native language (Wichi Lhämtes), the story of how, as a family maid in a "criollo" home, she has her hair unjustly cut: this is her most particular trait, her beauty. This event jeopardizes her cultural ties with the "criollo" world and defines her destiny.
From first love to first divorce, Romina and Flor experience different stages of their lives together, in Argentinian director Constanza Novick's exploration of friendship between women.
A famous TV actor negotiates conditions: what things does he accept and what does he reject to work one night on a "women only" album. The negotiation and the subsequent presence in the bowling alley will be a portal to an unknown space.
A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.
Juan and Ismael are great friends, they work in a corralón in Moreno. Riding the truck they go through the winter and live with the harshness of work, they do it with humor, sometimes helped by alcohol. Friendship is a difficult wall to break between them. Juan, drives the truck and lives surrounded by dogs, Ismael, loads the truck and dreams of having money.
The Bolivian community settled in Argentina celebrates over two consecutive Sundays in October the festival of their patron saint: Our Lady of Copacabana. Music and dance groups arrive from all over the country and meet in the Charrúa quarter in Buenos Aires. This celebration is the most important event for Bolivian immigrants and goes beyond folklore and religion to become a vibrant meeting place and bring about the cultural cohesion of traditions deeply-rooted in the collective memory of a people.
