The Israeli Film Council

An Hungarian youth comes of age at Buchenwald during World War II. György Köves is 14, the son of a merchant who's sent to a forced labor camp. After his father's departure, György gets a job at a brickyard; his bus is stopped and its Jewish occupants sent to camps. There, György find camaraderie, suffering, cruelty, illness, and death. He hears advice on preserving one's dignity and self-esteem. He discovers hatred. If he does survive and returns to Budapest, what will he find? What is natural; what is it to be a Jew? Sepia, black and white, and color alternate to shade the mood.

A gay love story set in a one-bedroom apartment in Tel Aviv. They meet, they have sex, they fall in love. Will it last until the morning comes?

Sassi and Efi are hard workers, struggling with the debt left by Sasai's son before he left for Brussels. Though there is quite an age gap between them, their love and humor keep them from life's weariness and despair. When two youngsters - Omri, Sassi's hormonal and kind-hearted grandson, and David, Efi's former student - appear in their lives, their carefully kept routine breaks, and the couple's love is tested. Eighteen years after Aviva, My Love, Sasson Gabai and Asi Levi collaborate once again with director Shemi Zarhin to showcase their unique talents. Sassi and Efi's love story is both funny and touching. It illuminates in its unique way issues of relationships, family, and loyalty and sends a painful but also warm and optimistic look at the social realities of today.

When Irmy, a soon-to-be-dad comedian goes to his own father asking for money, he finds out that his only inheritance is a tiny piece of land in the occupied Palestinian territories. To make things worse, he also finds out that extreme-right-winged Jewish settlers have settled in his land and made a winery out of it. Together with his father, Irmy wages war on the settlers, army, and Israeli government and demands his land back! What begins as a personal quest to recover this contested piece of real estate quickly evolves into a humorous activist adventure that exposes the mechanisms of the occupation.

The story of Yamin Masika, the “Don Quixote" of Israeli cinema — a director, social activist, and cultural entrepreneur who played a pivotal role in transforming Mizrahi culture from the margins to the mainstream. In the 1990s, after repeated rejections by the Israeli film industry, Masika began creating underground, low-budget films and music videos featuring Mizrahi artists like Avi Bitter, Tamir Gal, Moshe Cohen, Sarit Hadad, and Zehava Ben. Though ridiculed and dismissed by the establishment, these films resonated deeply with audiences who had been excluded from mainstream media for decades, leading to a cultural revolution.

In a Jaffa bra shop's fitting room, women's love-hate affair with their bosom buddies unfolds. As each heroine struggles to find the perfect bra, she bares not just her chest, but her soul, sharing tales of triumph, tribulation, and the occasional wardrobe malfunction. For breasts aren't just fleshy accessories-they're the protagonists of our life's epic. From the awkward moment they first break out, to the sobering reality checks of mammograms, our relationship with our "girls" is a bouncy roller-coaster of ups and downs because life, much like a poorly fitted bra, is full of surprises. This film unravels the mystery, myth, and full support between women and their breasts. It's a story that's written on our bodies, in every curve, contour, and stretch mark.

In Israel's Negev desert, Farhan Al-Nabari (72) - a fearless arbitrator, fights to prevent the next killing between feuding Bedouin families. His tent, a "place of refuge," anchors tradition amid rising youth violence challenging state and tribal authority. As societal desperation and poverty intensify, Farhan faces a profound struggle: the State of Israel demands the uprooting of his tribe from its home of 71 years. Amid frantic reconciliation efforts between tribes, this poignant tale unfolds-a clash between ancient traditions and modern mandates. Farhan fights to preserve his community's legacy, navigating a delicate balance between the timeless laws of the desert and the new world.

Gil Avni found himself in a Kafkaesque situation. He lies dying in the ICU, anesthetized and ventilated, diagnosed with cerebral edema. From the medical team fighting for his life and his closest relatives coming to say their goodbyes, Gil learns about his final hours. These 44 hours are told through his testimony and of those who were around him.

A woman gets a death certificate.