History of a Crime

History of a Crime 1901

5.80

A convicted criminal dreams about his past the night before his execution.

1901

The Big Swallow

The Big Swallow 1901

6.50

A man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and cinematographer. He steps back, chews, and grins.

1901

The Countryman and the Cinematograph

The Countryman and the Cinematograph 1901

5.30

A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train.

1901

Fire!

Fire! 1901

5.76

Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet.

1901

Dream and Reality

Dream and Reality 1901

4.80

A well-dressed, middle-aged man is enjoying a drink at a table with a pretty young woman. He flirts with her, and she seems not to mind his attentions. But is it all too good to be true?

1901

Bluebeard

Bluebeard 1901

6.20

A young woman becomes the eighth wife of the wealthy Bluebeard, whose first seven wives have died under mysterious circumstances.

1901

The Trick Cyclist

The Trick Cyclist 1901

4.43

Shows a tramp enter and try to ride a wheel, from which he makes some very ludicrous falls and gives up in despair, after which an artist enters and jumps rope on a wheel. A very laughable subject.

1901

The Devil and the Statue

The Devil and the Statue 1901

5.20

At the beginning of the scene Romeo in his gondola sings to Juliet a sentimental song, then goes away. Hardly has he departed when the colonnade falls to pieces, disclosing the devil. Juliet, frightened, runs to the window and calls Romeo. The latter attempts to enter and protect his fiancée, but at a gesture from the devil the window is instantly covered with a grating and Romeo makes frantic efforts to break it. The devil begins to dance a wild dance before Juliet, who is beside herself from terror. The devil gradually becomes the size of a giant (a novel effect). Juliet implores the statue of Madonna, which becomes animated, descends from its pedestal, and stretching out its arms orders the devil to disappear. (Méliès Catalog)

1901

Stop Thief!

Stop Thief! 1901

5.15

A lad from a butcher shop is carrying a tray laden with a roast or a leg of lamb. A hobo grabs it and runs. The boy gives chase, joined by dogs, as neighbors watch the spectacle. The hobo jumps into a large rain barrel, followed by the dogs.

1901

The Haunted Curiosity Shop

The Haunted Curiosity Shop 1901

5.20

An old proprietor is startled and haunted by the strange happenings inside his curiosity shop.

1901

Artistic Creation

Artistic Creation 1901

6.00

An artist draws the head of a pretty girl, takes the drawing off the paper and places it on a small table, turning the image into the head of a real woman. He then continuous drawing the lady, one body part after the other.

1901

Off to Bedlam

Off to Bedlam 1901

5.20

Four black minstrels turn into white clowns and back again when they hit or kick each other.

1901

What Happened on Twenty-Third Street, New York City

What Happened on Twenty-Third Street, New York City 1901

5.30

A street level view from the sidewalk, looking along the length of 23rd Street. Following actuality footage of pedestrians and street traffic, the actors, a man in summer attire and a woman in an ankle-length dress, walk toward the camera.

1901

Another Job for the Undertaker

Another Job for the Undertaker 1901

3.77

Shows a bedroom in a hotel. On the wall of the room is a conspicuous sign "Don't blow out the gas." A hayseed enters the room, accompanied by a bellboy. The boy deposits the Rube's bag and umbrella, turns a somersault, and vanishes through the door. The Rube then removes his hat and coat and places them upon the table. They immediately vanish. He then blows out the gas. The scene then instantly changes to a funeral procession, headed by Reuben's hearse, and followed by the carriages of his country friends. Strictly up-to-date picture. (Edison Catalog, 1901)

1901