The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
Jazz age youngster Smoke Thatcher "borrows" a neighbor's car to take Patsy, his sweetheart, to a dance after his father refuses to lend him his car. A car-fight with a rival results in the borrowed automobile's being so wrecked that Smoke cannot return it. The garage to which he and Patsy take the car for repair turns out to be actually a gang's hideaway and a place where stolen cars are brought and later fenced.
Film which tells the story of immigrants coming to the United States.
Our heroine, Miss Velez (despite the fact that she seems to be just along for the ride) is much her usual over-eloquent self (how fortunate she has no sound track!), while Warner Oland makes such an impressive and villainously seedy bandit, he needs no sound track at all. We can just imagine his oily, purring accents all too well.
A colonel of the French army in North Africa believes his brother, a sensitive musician, to be in love with the colonel's wife and so arranges for his brother to be drafted into the colonel's own corps. Unknown to either is the fact that the colonel's wife is actually an Arab spy.
A sheep farmer brings his new wife to his father's ranch and the old man takes an instant dislike to her.
Malena's apparent frigidity toward her husband Kenneth is a result of injustice done in an earlier incarnation when he was a knight and she was a gypsy headed for burning at the stake. This becomes evident when their unconscious minds travel back from a train wreck in the American plains to Elizabethan England.
A Harp in Hock, also known as The Samaritan, is a lost 1927 American silent melodrama film directed by Renaud Hoffman, produced by DeMille Pictures, and distributed by Pathé Exchange. The film starred Rudolph Schildkraut, Junior Coghlan, May Robson, and Bessie Love, and was based on the short story by Evelyn Campbell.
Blondy and Swede are gruff best friends who build skyscrapers. Blondy gets sweet on a girl he saves from a falling beam, Sally, but when he is injured in an accident and temporarily crippled, he rejects her. Swede tries every desperate measure to get Blondy to fight back, to try to walk, even masquerading as stealing Sally away from him.
John Livingston is a rich mama's-boy, who owns a blooded dog named Paul. Paul meets Maggie Mutt, and Paul, being a pedigree canine and somewhat of a cad, lures trusting Maggie to the barn to have his way. He then departs for his palatial doghouse at the Livingston estate. Meanwhile Maggie is broken-hearted and also finds that she is in a "family way", and gives birth to a pup she names Hank. Maggie tells Hank to find his "human ", and departs the scene. Hank goes to the park, meets a "human" named Mary Kelly, who is a homeless waif and sweetheart of poverty, and the two adopt each other. Later on in the park Paul comes strolling along with his 'human', John. A child falls into the lake and Paul and Hank team up to save her.
Based on a true story, two-timing boozing wife Roxie Hart kills her lover in cold blood after he leaves her, and finagles her way out being indicted. The basis for Kander/Ebb's 1975 Broadway musical of the same name and its Oscar-winning 2002 film adaptation.
When a hardened businesswoman who goes by the initials A.B. overhears someone calling her an “Amazon” because of her butch ways, she agrees to a more “feminine” makeover. In the end she learns that no matter how she looks she’s still the smartest person in any room.
A domineering mother sets out to break up the romance and possible marriage of her daughter, Cecily Stoughton, with Ted Pyncheon by several contrived devices and bringing in other candidates more to her liking.
Judy Nichols (Leatrice Joy), a poor girl from Chicago, has decided she cannot marry without money. Her sweetheart, Ronald McKane, a struggling civil engineer (Edmund Burns), is encouraging her to join him in New York, but she only goes when she is bequeathed an inheritance. Unfortunately, the amount adds up to less than ten dollars a week. When she meets banker Sanford Gillespie (Robert Edeson), she convinces him to help McKane out financially. Once McKane has become a success, Judy marries him, but then he becomes interested in another woman. Judy seeks revenge and asks Gillespie to ruin her estranged husband, offering him anything he wants in return.
Babe Scott, a cabaret dancer who is constantly searching for sensational material to shock her customers, conceives of burlesquing a Salvation Army girl and attends mission meetings on the East Side for atmosphere. There she meets Jerry Wilson, an honest truckdriver and friend of the Army captain. Although the act is a success, Babe is disillusioned to find Lonnie, a fellow worker who has been romancing her, stealing her money and making overtures to Big Bertha, the hard-boiled club hostess.
The film stars actor Rod La Rocque as Jerry Cleggert, a good-natured descendant of an infamous clan of pirates who resides aboard the rickety ship Jasper B. Cleggert is informed that in order to inherit a large inheritance, he must marry by his twenty-fifth birthday-- otherwise he would relinquish all claims to his impending fortune. Jerry soon meets his ideal would-be bride Agatha Fairhaven and the two immediately fall in love. Complications arise when Jerry's cousin, the dastardly lawyer Reginald Maltravers claims Agatha as his own. The courting couple suffer a series of mishaps on the way to altar; they are waylaid en route by a trio of bandits, escape from a runaway taxi cab, and outrun a mob of unscrupulous state authorities.
Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.
The exploits of Brigadier Gerard who helps expose Foreign Minister Talleyrand as a traitor to Napoleon.
Marguerite, the beauty of an Austrian village, loves the poverty-stricken Baron Erich von Statzen, although her mother is opposed to the affair, having been made suspicious by the hunchback Ludwig, who is smitten by Marguerite's charms and insanely jealous of Statzen. Statzen's uncle would have him marry Helena Boursch, the local brewer's daughter, to save his dwindling estate. Ordered to the front when war is declared, Statzen is forced to leave without saying goodby to Marguerite.
A stormy marriage of 6 months between Narcissa and Peter Williams ends in a bitter quarrel, and to gain his freedom Peter offers her more alimony than he can afford. Then he meets Mary Martin, who restores his faith in marriage. With business reverses, Peter falls behind in his alimony payments and neglects his new wife. Narcissa, however, manages to support Bertie Waring, a young sofa-hound; but she protests the delayed alimony and Mary is forced to take a job with an interior decorating establishment. Peter goes to Narcissa to appeal to her generosity, at the moment when Mary (unaware of Narcissa's identity as her husband's first wife) is working in Narcissa's apartment; seeing them together, Mary leaves in humiliation and accepts an invitation from Bertie....
