Barren Lives

Barren Lives 1963

7.39

In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.

1963

The Deceased

The Deceased 1965

7.35

After visiting a fortune teller, Zulmira is informed that a blonde woman will threaten her peace. After talking to her husband Toninho, she suspects that her cousin Glorinha may be that blonde.

1965

Assault on the Pay Train

Assault on the Pay Train 1962

8.00

Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.

1962

The Unscrupulous Ones

The Unscrupulous Ones 1962

6.30

Upon learning that his rich dad is on the brink of bankruptcy, spoiled Vavá summons his friend Jandir with a plan to get some quick cash: they will blackmail an uncle of Vavá by taking compromising photos of his lover, Leda.

1962

Tragic Jungle

Tragic Jungle 1963

6.50

In a company trading maté, workers are treated as slaves. Some of them try to escape, but those who are caught suffer severe punishments.

1963

Engraçadinha Depois dos Trinta

Engraçadinha Depois dos Trinta 1966

5.00

After marrying everyday man Zózimo, Engraçadinha, who had been through intense sexual experiences as a teenager, settles to live a quiet and normal life. As the years go by, her teenage daughter's behaviour seems to call back Engraçadinha's own teenage days.

1966

Como Ganhar na Loteria Sem Perder a Esportiva

Como Ganhar na Loteria Sem Perder a Esportiva 1971

6.00

A comedy about the happiness of several people who won the number 12 of Sports Lottery, thinking they are the only winner. Among them, one priest seduced by the devil disguised as a sacristan, one taxi driver who is planning to buy an entire fleet of cars, and prostitutes who leave their brothel, only to return again later.

1971

Marido de Mulher Boa

Marido de Mulher Boa 1960

5.20

Partner in a haute couture house, Anacleto is a ladies' man who charms all his clients and employees. Despite being married, he cares little for his wife and is always secretly arranging meetings with other women, causing a lot of confusion.

1960

Paraíba, Vida e Morte de um Bandido

Paraíba, Vida e Morte de um Bandido 1966

5.50

True story of a famous and violent Brazilian outlaw nicknamed "Paraíba". After being shot, Paraíba tries to hide inside a church, where he starts remembering episodes of his criminal life.

1966

Os Devassos

Os Devassos 1971

1

Wanted by the police, a university professor flees to a hotel in the interior and causes changes in the lives of the owner of the establishment and his wife.

1971

The Men I Had

The Men I Had 1973

4.70

Married woman only feels well when she's in love. In search of a ravishing love, she has many love affairs, with her husband's consent.

1973

Vai Que é Mole

Vai Que é Mole 1960

4.00

A group of scoundrels want to make it by planning hoaxes.

1960

...E o Bicho Não Deu

...E o Bicho Não Deu 1958

5.00

While trying to break an "animal game" gambling scheme, Det. Bartolomeu hits his head, and the gamblers convince him that he is one of them. But everytime he hears a whistle, he changes between gambler and policeman.

1958

Hunger for Love

Hunger for Love 1968

5.20

An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and its protests, Hunger for Love uses a rigorously abstract soundtrack and narrative structure to evoke the acute paranoia of the period building up to the December 1968 military coup that tipped Brazil perilously close to a conservative dictatorship. With its harsh critique of the decadent tendencies of the Sixties counterculture, Hunger for Love offers a key expression of the self-consciously “ideological” phase of Cinema Novo. -Harvard Film Archive

1968

Entrei de Gaiato

Entrei de Gaiato 1959

5.00

Januário is a con man who, with the help of his equally con-artist friends, stays at the luxurious Hotel Palácio, posing as a rich cocoa farmer in order to rob and deceive tourists. Ananásia is a widow who also becomes a guest at the same hotel, with almost the same plan: to pretend to be a millionaire in order to marry some wealthy "old man". Januário and Ananásia immediately begin dating. However, their lies about their wealth make them targets of international jewel thieves who were among the guests.

1959