Just before Anne is moving from Amsterdam to live with her great love Sara in Montreal, her publisher criticizes the manuscript for her first novel. What exactly is the story she's trying to tell? Does she even have something to say at all? Anne is forced to search for what she wants in life, because it is not only the main character in her novel who seems to be a little lost.
Haunted by memories of her broken marriage and a fight with her daughter, a woman joins an intense self-help retreat when her vacation goes awry.
Nicoline, a criminal psychologist, begins work at a prison where one of her new cases, Idris — an apparently reformed sex offender — is preparing for release after five years of confinement. Despite her professional misgivings, she becomes infatuated with her charismatic, manipulative patient.
A stubborn stage actor navigates single fatherhood, a strenuous theatre project, an adulterous love affair, and the confounding dreams awakened by a puzzling street encounter with a mysterious stranger.
A family with five children flees the war raging in their home village on the Russian border. They end up in Mshanets, a farming village on the other side of the country, remote and unknown. Here the family starts building a new home. At the same time, two documentary makers come to the village, looking for a story. In the Lymar family they find the ideal characters for their film. But one day, when the renovation of their house is almost finished, the family disappears. The filmmakers go in search of their characters and along the way they try to find an answer to the question: what does a person need to feel at home?
Jöran has a bipolar disorder, which makes him vulnerable to depression, mania and psychosis. He can sympathize well at the moment, but that has been different in the past. Jöran delves into his dark past and talks to the people who experienced his illness up close. How do you deal with this disorder and the misunderstood behavior that comes with it? And how do you break the taboo that still exists on disease pressure?
The wolf was almost completely eradicated in Europe over the past few centuries. The species also disappeared from the Netherlands 150 years ago and it was believed that this was forever. Only small populations survived in the large forests of Eastern Europe. In recent decades, not only did the wolf get legal protection, it also started a remarkable comeback. With time this magnificent animal found its way back from Poland through Germany to the Netherlands and Belgium. The carnivore, around which there are many myths and which is very often portrayed as bloodthirsty, welcomed back by many and despised by others. Are wolves really that dangerous to people? This exceptional documentary follows the journey of a young, lone wolf which grows up in eastern Germany and then head westwards on its search for its own territory and a consort to finally settle down in the Netherlands to found there the first permanent wolf pack since the extermination of the species long time ago.
For four seasons, lone wolf Eddy van Wessel travels along the Ukrainian front lines. Now that the Netherlands' most awarded war photographer is in the twilight of his successful career, he wants to take the ultimate photo one more time, the image that summarizes the entire conflict and that makes all the struggles, traumas and setbacks he has endured worthwhile.
Registration of the ninth solo show by the Dutch comedian Hans Sibbel.
The Dutch cabaret artists Harrie Jekkers and Jeroen van Merwijk have performed solo for years. The two old friends have made a program together and perform with songs, stories and dialogues.
An Amsterdam telemarketer of Surinamese descent suffers an existential crisis of identity when he finds fortune and belonging by using a typically Dutch name to boost his sales.
Cato is given the opportunity to become a partner in a commercial office where there is a need for change. Cato seems to be the right person to teach the grumpy lawyers a bit of morale.
Do we need animals to fill the void that should really be filled by people? To what extent do we project our own deprivation and longing on these sweet pets? All the protagonists in this documentary are indirectly afraid of being rejected and find safety and unconditional love in their animal(s). We observe these relationships and follow them in their steps to overcome their anxieties and insecurities and step into the world of humans more.
When they are confronted with the disease of the pater familias, all the members of the Liefhebber family have to face their fears, faults and their troubled interrelationships.
What started for fifteen-year-old Manon as a secret holiday romance at an all-inclusive resort, slowly turned into a memory that she looks back on with less pleasure. She fell in love with Hugo, the big star of the animation team. He wrapped her up with beautiful words, that she was special to him. Although Hugo was much older than Manon, he still had sex with her. At first it felt good, but slowly it turned into a memory that she would rather not think about anymore. What happened during that holiday and how could it have happened? She goes looking for answers and comes face to face with Hugo.
The Platoschool was founded in Amsterdam in 1983, a primary school for parents who wanted more than just math and language for their children. The founders of the Platoschool had great ideals, ideals that the parents of documentary maker Yara Hannema fell in love with. The children would grow into special people with a high level of consciousness, but the teachers ran wild in their strictness and discipline. There was beating and abuse of authority. The school was discredited and had to close its doors in 2002.
The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.
Registration of the eight solo show by the Dutch comedian Sara Kroos.
