GREC

A college. His teachers and his students. His conflicts and his lies. His images and his words. His looks and his silences.

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.

An old man, former clown, comes back in the neighborhood where he used to lived for the funeral of his ex-wife, and finds old friends with whom he had lost contact.

Jean is a "slow" man, he builds his life around his anxieties, and considers himself unsuited to life in society. He lives with Alex, who is a "fast" man. Passionate about aerodynamics and eurodance, Alex lives fast and asks himself as few questions as possible. One morning, he receives a fast friend, Lou, at their place, while Jean had also planned to receive a slow friend, Caroline.

Two young men in a nearly abandoned suburban landscape deal with the suicide of one of their friends by shotgunning beers and joining a gang.

It's Tonio's first time in Corsica. He wanders across the island and on dating apps until stumbling upon the Oracle, a user who tells him about gay life in Corsica. Their conversation is reenacted with an actor who seems to connect deeply with the Oracle's story.

A sleepwalker decides to paint the town red. In the search of the wild painter, a young night watchman delivers some monologue.

The world falls into chaos after a supernatural darkness descends. In the turmoil of the new reality, Tony fights for survival together with his ailing mother and son.

The feline and weary body of a young girl is surrounded by Christian symbols. Crosses, Sulpician images, miniature altars lose their religious meaning to become merely decorative items. Mixed with plastic toys and photographs, they compose secular still lives. A church service is observed surreptitiously through a ground-floor window, like some strange custom, only to be interrupted by the sound of a moped backfiring, inviting the girl to take flight. This religious setting, often filmed in countershot to the beautiful faces of three teenagers, then gives way to wide shots of the luxuriant nature they are bathed in. Their nimble, young bodies find a perfect refuge in the comfortable branches of a mango tree. But at this age, the thirst for thrills cannot be restricted to a familiar setting. The trio hits the road. Without bothering with narrative dross, Heliconia offers a sensual road-trip and gorgeous tableaux vivants that do justice to film as a medium.

February 1980, young Abdelkader Lareiche was shot in the head by a building guard in a housing estate in Vitry. In a context marked by several racist crimes and a policy of security repression, his friends are mobilizing around the “Rock Against Police” movement. Forty years after the events, Philomène sets out to meet the activists and actors of this movement. “Memory is not commemoration, it is the living part of History” confides Mounsi about the massacre of October 17, 1961. This is the heart of Nabil Djedouani’s project, to restore a moment in a living way. of the militant history of the suburbs, registered here in the Rock Against Police movement, but which cannot be restricted to it. A thread stretched from the 1980s to today, which continues to “analyze the collective and murderous unconscious of the French State” and the ways of resisting and revolting.

Malik spends his days trying to get attention from others with empty, boring chats. One day, he catches the attention of one guy with a lie, saying that he's going to the US to study cinema. The news quickly goes around the neighborhood and Malik suddenly becomes everyones’s hope and pride.

A man trying to get through the Paris traffic meets a woman, somewhere between dream and reality.

John lives for football and will do anything to make a career from it, even if it means facing the prejudices of the changing room.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

One summer afternoon, a little theater of desire and domination, tender and sometimes cruel, is established between the young waiters and clients in a Provence bar.

Since their mother's death, Sam has had to look after his younger brother Ben, an awkward and silent young man. Broke and overwhelmed by their situation, Sam starts making Ben take part in some very strange evening events.

Alice Diop's enchanting short film, a work of transcendent transformation, shows how the rough lines of Drancy station are immortalized in watercolor by the French artist Benoît Peyrucq. A tribute to a location fraught with historical and contemporary poignancy.

In a strange villa, six young people are getting tanned. They are bored and get burnt, lying under the summer sun. They are children of the night, children of dreams. Coming from everywhere and nowhere, they are here, united like a tribe.