Sanne's and Markus' relationship is in crisis. They go on holiday together, but accidentally fly to the wrong island. There, in desperation, they break into an empty holiday home and embark on a role-play using new identities. At first, the game is an exciting rediscovery of their relationship, but it becomes increasingly destructive as they force themselves into archaic roles.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
The little nomad girl, Nansal, finds a baby dog in the Mongolian veld, who becomes her best friend - against all rejections of her parents. A story about a Mongolian family of nomads - their traditional way of life and the rising call of the City.
The year is 1997, and World Peace seems to have come, with most classic weapons of mass destruction having been abandoned. However, orbiting the Earth there is the European/American space station FLORIDA ARKLAB, capable of controlling the weather at any location on the planet underneath. A civil project by nature, it might be abused as an offensive weapon, since it could deliver devastation to any potential adversary simply by creating natural disasters such as storms and floods. No wonder the space station soon becomes the central point in rising political tensions between East and West, next stop World War 3 (as indicated by the tagline "The end of our future has already begun"). We follow the main protagonist Billy Hayes, an astronaut aboard the station, as he wades through a plot of secrecy and sabotage trying to tell friend from foe in the process.
On the 3rd of October a twenty-four-year-old student from Vienna kills his lover and chops up her corpse. Her torso is found in a dumpster, other body parts and the head are missing. There is no clue about the motive of the murder. A silent chronology of the events.
A rare gem of cinematic storytelling that weaves docudrama, fictional reenactment, and experimental photography into a powerful, reflective work on the early days of German cinema. The film tells the story of the Skladanowsky Brothers, the German-born duo responsible for inventing the "bioskop", an early version of the film projector.
Set in the 1800s when Napoleon’s French ruled Europe, the film follows young Austrian carpenter Franz and his Bavarian wife, Katharina as an unforeseen event forces them to flee from Augsburg, Bavaria for Franz’s family home in Tyrol, Austria. Tyrolian sentiment is rising strongly against Napoleon and trouble is stirring. In no time it sweeps up Franz and his brothers along with the whole town.
Documentary about the famous German robber Michael Heigl.
Amir and Anouk return home after their first vacation together. In the throes of love, they believe that nothing can destroy their happiness. But then they are stopped by the police - and nothing is as it was before.
When Ana, a young compliance manager, discovers unusually high bills among her company's records, she can't imagine what an avalanche her research will set off. Not only does she cross paths with an aging small-time crook and a Viennese Mafia lord at an illegal bare-knuckle fight, she also runs into Carsten, an undercover investigator. He has long been on the trail of a network of money launderers and now faces a difficult decision — since he knows Ana all too well.
As an awkward idealistic high school teacher begins her first job in the city, things turn out to be much tougher than she had imagined.
Milan in spring. City rides with radio music, interrupted by advertising. The external movement. Paola works in a photo studio and likes to play table tennis. Robert photographs girls and ice cream. Jule talks too much on the phone. - Another love triangle. They actually wanted to go to the seaside.
A visual record of London punk life in the late '70s, filled with never-before-seen live concert footage and commentary from the Clash, the Jam, X-Ray Spex and the Electric Chairs.
More than two years after the sudden death of Michael Glawogger in April 2014, film editor Monika Willi realizes a film out of the film footage produced during 4 months and 19 days of shooting in the Balkans, Italy, Northwest and West Africa. A journey into the world to observe, listen and experience, the eye attentive, courageous and raw. Serendipity is the concept - in shooting as well as in editing the film.
A woman meets a man in a bar late in the evening and goes to his apartment. A woman picks up a girl from school and runs with the child through the park. If we see such scenes in a movie, or are we watching such situations in life, we quickly believe we know who these women are: a woman looking for a fleeting adventure in the first scene, a caring mother in the second.
Hedi is the new neighbor of Iva, who raises her daughter Sofia by herself. The two women start a relationship and Iva is desperately in love with Hedi. Suddenly Iva's father appears. Hedi feels strongly attracted to him. It seems that only one world exists for Hedi. Her own.
If things were up to General Donovan, then the Military Secret Service of the United States would take care of really important things, of which there are plenty in this Autumn of 1942. Let the Waffen-SS search for Atlantis and dance around Germanic Druid Stones - who believes in the occult of "Wunderwaffen" or "miracle weapons" anyway? At least no straightforward American patriot, only pathetic wimps like William Blazkowicz, the only person at the OSS who wears glasses. But then ... can you dare risk to ignore explicit warnings? Secretly shot films? Evidence? What is really happening in Kottlitz Castle? Who killed Smokey Savallas? What kind of research is the "Ahnenerbe der SS" involved in? Who stole Count Dracula's bones from a crypt in Wallachia? And where's the connection between a fanatic SS General, underground laboratories full of German scientists, and a huge pit filled with molten gold? Questions, questions ...
Louk is deep as the sea. Manja is pure as the air. Her love means: No fear. No lie. No trace.
Kevin is new in youth prison. Due to over-occupancy he has to share a cell with Tommy, Andy and Marc. A partnership of convenience in a system where only the strong prevail and which is dominated by violence and latent aggression. Oppression and beatings are a daily occurence. It is hard for Kevin to establish himself. Especially Marc and Andy are after him. He's afraid of not sticking it out. Only Tommy gives him an amicable advice: In this system, you're either a victim or a culprit. If he doesn't want to be a loser anymore, he has to start fighting... A piece of advice that will trigger most dire consequences
They want to get away from each other, but they clasp each other even more firmly. They seek to save appearances at all force. The more they laugh, the quieter it gets around them. The cracks in the family picture widen until an inescapable secret reveals itself.
