R.O.C.

Puglia, southern Italy, around 1400. A convent is invaded by the Tarantula cult, whose fanatical and crazed members desecrate the sacred place by committing obscene and bloody acts.

Seeking isolation in his mansion, on a Breton island, misogynist writer Pierre Bangor has the unpleasant surprise of finding four cover-girls installed in their exuberance and artifice.

A stripper takes an old lover back to her apartment and tells him the sordid history of her own bed.

A wealthy bourgeois, bored in her immense property, to pass the time engages a gigolo to answer all her wishes, from the most unfulfilled to the most hidden... But when the young man takes an interest in the sister of his boss, the latter becomes very jealous.

On a Mediterranean cruise, a young man hired as a tour guide is intrigued by the beauty of a female interpreter hiding behind her sunglasses. He makes advances to her by venturing into a series of strange stories.

After the death of his parents, Pierre is forced to care for his younger sister Nathalie by committing petty crimes. In a recurring motif of Gérard Blain’s cinema, Pierre is taken under the wing of an older gay man, Hubert , who offers him work and financial security; but when Hubert makes advances to him, Pierre robs him and takes up with a group of radical leftists who are planning terrorist attacks. Without employment, Pierre loses Nathalie to child services and spirals into desperation, finally erupting in an act of horrific violence. An x-ray showing the largely undiagnosed sickness of its time, and a stern warning to ours.

The furniture factory in which all the young guys in this film work is also full of older workers who make fun of their long hair, which for them is a badge of their independence. The boss, particularly, thinks long hair on men is dirty. When they refuse to cut their hair, he finds an excuse to fire them. The meaning of long hair is felt particularly deeply for one fellow, a painter, who, when he succumbs to his fathers' pleas that he cut his hair, turns his paintings to the wall and burns himself to death.

In this French crime caper film, a young misfit who has grown tired of his job as a bank teller deliberately gets fired. When some underworld characters ask him to share the layout of the bank so that they can more effectively rob it, he does. He also joins in the robbery. But when members of the gang start shooting at one another, it becomes clear that he is definitely in over his head.