PT Kanta Indah Film

Jampang is against oppression in the Cemara village. He kills Frans when the latter tries to rape and kill Rabiah. Even Ibnu, his own brother, is not spared when he commits a crime.

Set in 1896, "Tjoet Nja' Dhien" celebrates one of Indonesia's great heroes who fought for independence from the Dutch. The pious Muslim people of Aceh, a city that had flourished since ancient times as a trade port, enter into a fierce war with the Dutch. Tjoet Nja' Dhien, the widow of a rebel leader operating in Aceh in Sumatra, assumes the leadership when her husband Teuku Uma is killed in an ambush. Dhien's charismatic presence and power of survival motivate the locals to join and later continue their opposition to the Dutch. Despite personal obstacles, she remained in the thick of the struggle for ten years.

The archaeological expedition ship a disaster, Prof. Rashid and his grandson Andrew Hasnan separately. While stranded on an island , Andri met oom Bram (I Wiyono) with her daughter, Emi. The three of them live together, Emi and Andri until adulthood (Meriam Bellina and Sandro Tobing). Once Emi and Andri caught primitive tribes . They are regarded as the god and goddess who descended to earth. In order to get the seed of Gods and Goddesses, primitive tribes and Andri Emi force to mate with their children. Rejected the request, Emi and Andri desperate to escape. Oom Bram managed to intercept the pursuit of the quarter, although ultimately he was killed. During his hiding, Emi and Andrew fell in love and eventually get a son who they named Ami. Primitive tribes continue to look for them. At critical moments, father Andri (Darussalam) and his entourage came to the rescue.

Set during the kingdom of Majapahit after the reign of King Hayam Wuruk, the Saur Sepuh films were based on the popular radio plays in the 80s. Lasmini is raped and thrown into a ravine, but is saved by Granny Lawu. She is then taught martial arts until the granny dies. Then Lasmini leaves the mountain to find her rapists and kills them one by one. One day, she has a fight with Mantili because she is close to Bentar. Then Lasmini returns to Mount Lawu to improve her martial arts. After learning new skills, she returns to challenge all the martial arts experts and is victorious. Mantili then goes to improve his skills from Brama and challenges Lasmini. Now Lasmini is defeated.

Set at the end of the Majapahit era, Bre Wirabhumi, son of Hayamwuruk, but born from a concubine, demands his right to be king of Majapahit. The kingdom is then ruled by Wikramawardhana, son-in-law of Hayamwuruk. To rival Majapahit, Bre Wirabhumi creates the Pamotan kingdom and looks for allies amongst other kingdoms. This creates confusion among the kingdoms friendly with Majapahit. Brama Kumbara (Fendy Pradana) from the Madangkara kingdom tries to settle the dispute. What happens instead is a misunderstanding that leads to the death of Brama’s envoy. Even worst, the lover of the murderer, Lasmini (Murti Sari Dewi), takes revenge by kidnapping Brama’s wife. The conflict then escalates into the Paregreg war between Majapahit and Pamotan.

Jamal and Kamil sell clothes on a street corner in Jakarta. The police often chase them. Over time, Jamal becomes angry and intends to change his luck by talking big and “selling” himself. He dresses up to look and act like a rich man, but tastelessly.

Sumiati lets her husband marry Yati because she cannot bear a child. But when Yati delivers, Sumiati is pregnant and gives birth to Mira. Mira’s presence worries Yati. Therefore Yati accuses Sumiati of cheating. Sumiati leaves the house. Mira learns of this history as Yati always insults her when she asks for her monthly allowance. There is more tension when Rachmat, who is matched to Yati’s daughter, Neneng, is more attracted to Mira. By chance, Mira repeatedly catches Yati having affairs. Her father is furious. Then Yati runs away with the fortune and the child of her affair. Neneng, who stays, commits suicide. Her father realises his mistake and reconciles with Sumiati. Rachmat has also come back for Mira.

Nurhayati’s husband dies in an accident and she is left with four small children. Nur herself knows that she will not live long, as her doctor reveals that she must undergo a heart and lung transplant, with a little chance of survival. After telling the real situation to her father and to her eldest child, Asih, the children are brought to the families she considers as able to raise them. How lucky she is that the three families are eager to accept her children. On a birthday party of her youngest child, she feels at ease and dies.

Aya, a journalist, is in the process of observing a murder case. The dead body is found in a dream forest. But this murder is not just an ordinary murder. There is a mist of mystery in it. The case drags her further and further into horror

Two warring kingdoms; Jawadwipa, led by Mandala (Barry Prima) with help from his "demon sword," and Mongolia, led by Ramis Khan (Advent Bangun) and his sister Valas (Yurike Prastica), battle it out in this fantasy adventure.

The Story about Tarzan

This is the second Indonesian Tarzan film with Barry Prima. The previous one was Tarzan Raja Rimba made in 1989.

Brama Kumbara’s plan to build a royal resting place near his teacher’s grave is being obstructed by people from the Kuntala kingdom. They rally their people who live in Brama’s kingdom, Madangkara, and they manage to influence the regents of Madangkara through their wives. Then the regents stop obeying their leader. They also hire highly skilled villains to destroy the resting place. Brama is furious. With Mantili, he pursues all the rebels and exterminates the Kuntala people who are not loyal to Madangkara.

In his wanderings, Mandala (Barry Prima) arrives in a village where a triad of Iron Heads are messing with him. They are looking for Laot (Syaiful Nazar) who saved the book left by his teacher, Ki Banta (Syamsuri Kaempuan) who the three Iron Heads are looking for. At the same time, Mandala also eradicates village robbers and sees Kupra (Syaiful Nazar), who is about to be hanged, because he is considered a robber. Kupra is saved by Mandala, but then they split up.

Story about brotherhood.

Jarir, an old teacher and also principal of a school in a small town, is a conservative educator. He is contrasted with Irfan, who is full of passion and follows a modern education approach. Their different approaches are tested on a group of delinquents. This film for children tries to show how a child’s “naughty” behaviour is a form of creativity.

A horror film based on mysticism, Gumara comes to the village of Kumayan to become a teacher. He is also looking for his biological father. Since his arrival, he has to face many strange things. Even a visit to Lebai Karat causes Gumara to deal with a tiger demon. Fortunately, Harwati, the daughter of Lebai Karat, comes to help. Then it is learned that Gumara has a similar power to hers. Harwati falls in love with Gumara, and so does his smartest student, Pita Loka. It is later discovered that Gumara is the illegitimate child of Lebai Karat. Gumara wants to conquer the power of the tiger demons. Learning this intention, six other tiger demons get involved. Five of them attack Gumara, who is defended by his father, Lebai Karat. Within its genre, this film might be considered one of the best.

A young man becomes possessed by a cobra.

Anglingdarma (Baron Hermanto), the ruler of his homeland, acquires the magical ability to understand the language of animals, but is forbidden to share the secret of how to do this with anyone. Unfortunately, one night, when Anglingdarma is making love with his wife, he overhears some humorous remarks being made by two house lizards in the room, and bursts out laughing. His wife becomes very angry, and after Anglingdarma explains what happened, his wife demands that he teach her how to do the same thing. Anglingdarma refuses to reveal the secret. His wife, who believes that he does not love her anymore, decides to burn herself to death.

This film is a re-edited compilation of Saur Sepuh I, Saur Sepuh II, and Saur Sepuh III.