飯村隆彦 Un Ange Passe Film Workshop In SANGENJAYA - Summer Home Movies 1971-81 銀鉛画報会 Birth of a Nation Filmmakers Four Shadows あいうえおん六面相 1 To 60 Seconds 6x6 (Oukan Densentsu) Sakasama (Upside Down) Ukiyo Ukare 銀鉛画報会 Desade Models: B-4: Seeing, Not Seeing Plus and Minus Camera, Monitor, Frame 愛 White Calligraphy リリパット王国舞踏会 Kuzu 視姦について John Cage Performs James Joyce Rose Color Dance Talking in New York Onan Why Don't You Sneeze Shelter 9999 Talking Picture (The Structure of Film Viewing) Air's Rock Japanese Erotica: Five Films on Love and Sex from the Japanese Underground of the Experimental Cinema Onan Observer / Observed Observer / Observed Observer / Observed / Observer Observer / Observed / Observer MA: Space/Time in the Garden of Ryoan-ji MA: Space/Time in the Garden of Ryoan-ji あいうえおん六面相 あいうえおん六面相 I am (Not) Seen Shutter 按摩 Man and Woman Time Tunnel: Takahiko Iimura at Kino Arsenal, 18. April 1973 New York Day and Night: A Journey through Light and Darkness A Chair Blinking Visual Logic (and Illogic) Time Tunnel Timed 1, 2, 3 Yoko Ono: This Is Not Here Yoko Ono: This Is Not Here Face Filmmakers The Making of MA in Ryoan-ji Ma: The Stones Haved Moved MA (Intervals) 24 Frames per Second One Frame Duration Double Portrait I Love You This Is a Camera Which Shoots This As I See You You See Me I Am A Viewer You Are A Viewer Flowers In The River Film Strips I Film Strips II The Pacific Ocean Kiri (The Fog) Honey Moon Iro (Colors) Dada 62 I Saw the Shadow うらとおもて My Documentary Taka and Ako New York Scenes Buddha Again New York Hot Springs Concept tape 3 (Performance) Sky and Ground Concept Tapes 1 Concept Tapes 2 Fluxus Replayed Onan 按摩 Scared to Death Dead Movie Circle & Square Models: A-1: 2 Min. 46 Sec. 16 Frames Models: A-2: Timing 1, 2, 3, 4 Models: A-3: Time Length 1,2,3,4 Models: B-1: Counting, 100 Or X's Models: B-2: A Line 1, 2, 3 Models: B-3: To See the Frame, Not to See the Frame Moments At The Rock Moments At The Rock Moments At The Rock A Rock In The Light A Rock In The Light A Rock In The Light Shadowman (The Structure of Seeing and Hearing)
