A man, Milan steps off a train, into a small French village. As he waits for the day when he will rob the town bank, he runs into an old retired poetry teacher named M. Manesquier. The two men strike up a strange friendship and explore the road not taken, each wanting to live the other's life.
On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow.
We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
When Marcelo Pena finally is about to be appointed Head of the Philosophy Department, the famous and seductive Professor Sujarchuk returns from Europe to claim the kingdom for himself.
Some young folks, tired of the society they're living in, plan a bomb attack over Paris before taking shelter for a night in a shopping center.
Odd Horton is dependable and contained: he's a train driver retiring after 40 years of service, living a simple life. His idea of adventure is to fly from one city in Norway to another. Starting on the night of his retirement dinner, Odd has a series of dislocating experiences: a boy insists that Odd sit by his bedside while he falls asleep; misadventure causes Odd to miss his last run; he witnesses an arrest; he assists an old man and makes a friend; he takes a trip with a blindfolded driver; he adopts a dog; he takes stock late one night at the roundhouse; he revisits his mother's disappointment in him. How should he live the rest of his life?
Loving young couple Luna and Amar try their best to overcome unexpected obstacles that threaten their relationship. After Amar's dramatic change in a fundamentalist community, Luna tears herself apart searching if love is truly enough to keep the couple together on the path to a lifetime of happiness...
A documentary about the band "No Smoking Orchestra".
Norman is not just an admirer of nature, he's a part of it. He survives the harshness of the climate and the wildlife by coexisting with it. With his wife Nebraska, they live almost entirely off the land, making money by selling their furs.
The same situation is played out in different cities (New York, Berlin and Tokyo). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a "permanent" relationship, what do they choose to do?
Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.
Before Ernst Winckelmann, a sales representative for hair products, calls on hairdressing salons and chemist's shops, he rehearses what he intends to say, shakes the dandruff from his hair and slips into an innocuous pair of shoes. None of this helps. Winkelmann is no sales talent and his product is a failure. Meanwhile, in a small corner pub in the Barmbek district of Hamburg, Winkelmann's young girlfriend Aline uses some firm but gentle persuasion to make the last customer leave. Not much doing tonight. During the day, Rüdiger the barman, pulls most of the beers for the landlord, Aline's father, who survives on memories of good times at Miami Beach...
Three siblings have all reached a point of their life, at which they realize the need to quickly change some things before they step into the second half of their lifetime. In the midst of chaos, insufficiency and loss they are searching for the path that just might lead them to happiness.
A man trying to get away from it all finds both love and conflict in the woods in this offbeat drama from Lithuania.
Bavaria, 1812. A lovelorn young poet banished from society is forced to wander across mountains, ice and snow, on a dangerous journey which will either lead him to death or to a new life.
Jean, the lead character in this psychological journey is torn by a search for his lost childhood, the overwhelming need to love a woman of his dreams (someone he has invented), and a struggle with his latent bisexuality. Jean finds some photos inside an automatic photo station that look like his mother who died soon after he was born. He starts to fantasize about the woman, giving her a name and identity and waiting for her to appear. During this time, he meets Carole and has an affair with her, all the while pretending he has this other relationship with the woman in the photo. Significantly, the couple who introduce him to Carole is childless, and they eventually split up - perhaps a comment on the importance of childhood to the adult world. In the end, Carole discovers that Jean's "other woman" has no real existence, causing a crisis that finds a symbolic expression as the last scenes close on the story.
A wedding invite from an estranged sibiling inspires a grandmother to assemble her family and embark on a roadtrip in a broken down caravan.
Mamma Gógó is about Gógó, an elderly lady, who is diagnosed with Alzheimer disease and her son’s and family’s reaction to her illness. While Gógó is continuously getting herself into trouble, of the kind only a person with Alzheimer can, the son, the director, is struggling with financial troubles after his film Children of Nature has flopped in the cinema. As Gógó‘s disease progresses her family decides that it is best for her to move to a nursing home. Gógó and her deceased husband, who appears on the scene, are not happy with that decision. The director is dependent on others when it comes to his finances and when Gógó settles into the nursing home he decides to sell his mother’s apartment and valuable artwork but the profits of the sale help him to get by.
Daniel and Alejandra, a working class couple in their late 30s, move to the countryside near the Andes Mountains to begin the next chapter of their life together. Alejandra is ill, and Daniel looks after her, his soul mate. He scratches out a living doing farm work, while dreaming of buying his own plot of land. Over the course of a year, director Alejandro Fernández Almendras captures a life of love and frustration as Alejandra’s condition worsens, and Daniel can do nothing but keep on struggling.
