Una and an alien robot have 24 hours to find her Grandpa who was kidnapped by aliens. The extraordinary adventure leads to friendship, the rational robotic logic is replaced by emotions and Una's selfless love saves her partly alien family.
Danko Babic is an ambitious and amoral gynaecologist at Croatia's leading fertility clinic. When his colleague Bantic is appointed as head of the clinic, Babic starts a secret war to overthrow his rival. Distracted by his ruthless campaign he makes series of fatal mistakes that result in the death of a patient. A crooked coroner and a corrupt police officer cover up his misdeeds, while Babic grows increasingly dependant on drugs and alcohol. He begins performing illegal abortions on prostitutes who work for Jedinko, a gangster who controls the local drug and sex trade.
A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.
We live with films every day, and it seems nothing easier than answering the question: what is a film? Obviously, a film is, first and foremost, a document, a testimony of the world that surrounds us. The rich expressional possibilities of film are based on the imperfection of the human eye, its sluggishness, so thanks to the stroboscopic effect we can animate a still image. Film is therefore a kinetic image, or a moving image. It can make the invisible visible, bring the distant closer, enlarge the small, speed up the slow, slow down the fast, and return the end to the beginning. The technological basis of film: light, film tape, camera, projector, film screen. Expressive possibilities of film: scientific, documentary, communicative, artistic. Basic film genres: differences among films.
At a small border-post on the Yugoslav-Albanian border, yet another generation of soldiers suffering the usual amount of boredom awaits the end of their service, counting days to the moment when they should take their uniforms off for good. It is the spring of 1987 and the thought never even crosses their mind that they would, in fact, put them back on quite soon and go to war.
Ivan is a 36-year old ex-rock singer and a disillusioned war veteran who lost both legs in the recent Croatian Homeland War. His father, Izidor, was a well-known political prisoner in the former Yugoslavia, and is now standing as an independent candidate for the Croatian Parliament. Then a face from the past re-appears: an impoverished Serbian refugee called Simo, who has recently returned to the town. As an ex-communist official, Simo imprisoned Izidor decades ago. He knows certain facts about Izidor that could destroy his reputation and wreck his political campaign. Simo demands money, in return for his silence and he also has a secret rendezvous with Ivan's mother, Ana. Soon a long-buried secret surfaces once more - with huge repercussions for Ivan. He starts to provoke hard-line Croatians by singing Serbian nationalistic songs, daring them to kill him.
The movie takes place in the early 18th century on the borders between Bosnia and Dalmatia, the crossroad between the Ottoman Empire and the Republic of Venice. It deals with issues relating to the region's native Croats as they struggle between to live between two empires and two faiths: Catholicism and Islam.
Documentary about The Armed Boats Squadron Dubrovnik, a volunteer unit of the Croatian Navy that ran the naval blockade during the siege of Dubrovnik which formed part of the Croatian War of Independence in 1991–1992.
At the beginning of 1991, Yugoslav army did not acknowledge Croatian's independence, and still holding few military barracks in Croatia. Gajski travels to an island to get his son out of the army. Locals have besieged the barracks and organized a festival to try with singing and recitals to get major Aleksa and his soldiers to surrender, but Aleksa has explosives thru the barracks and wants to blow up the island.
Nikola is a man who knows how to really enjoy life; he's even able to rouse sympathy for his sinful ways. His brother turns a blind eye to his philandering although, with a broken marriage behind him, he doesn't have a clear conscience, either. Is there anything positive to be said about infidelity, or does it simply deserve the utmost contempt, particularly when it's more premeditated than spontaneous?
By filming on the actual locations traversed by Marco Polo, the series brings to life the authenticity of the local peoples from the standpoints of ethnology, historiography, culture and economics. We follow the exact route depicted in his book, Il millione, documenting the peoples, customs and cultures along the way to bring into sharp relief the cultural differences within the Asian mainland. Viewers are introduced to their development, becoming familiar with three completely different and, to us, relatively unknown spheres of civilisation and religion - Arabic Islam, Indian Hinduism and Oriental Buddhism. The host takes us through regions and cultures that may seem exotic - and, at times,dreamlike - in our search for the evidence of Marco Polo's passage.
In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.
The main character Struja (Stream) is an unyielding rock musician in a demo-band called When Dirty Harry Met Dirty Sally. Struja would do anything to gather money to record the album as long as it doesn't involve giving up his rock musician beliefs. However, playing pop songs at weddings seems to be the only way out, and the rest of the bend - Struja's best friend and keyboard player Mario (Ivan Duricic), Deni, a handsome singer and bass player (Ivan Glowatzky) and Zlajfa, an indifferent drummer (Hrvoje Keckes) - are trying to persuade Struja to make a compromise. At the beginning he is very firm and reluctant to give in, but when Anja, the girl he left, announces that she is pregnant with his baby, Struja suddenly realizes that there are bigger issues in life than playing at wedding.
Documentary about the second-oldest radio station in Croatia, established in 1942.
Follows the life of general Ante Gotovina.
After being repeatedly denied her requests for a vacation by her sexist boss, a young woman finally explodes.
Ante and Dusko are two Dream Team players. Besides being a Croat and a Serb who fought on opposite sides in the war, both used to be volleyball players. Today, they live normal lives, one in a remote craggy region, the other in Banja Luka. There is little chance of them ever meeting again. The International War Crimes Tribunal in the Hague has indicted Colonel Skoko, a hero to some, a criminal to the others. The two main witnesses to his defense, Mato and Joso, have disappeared without a trace. Skoko's sponsor from the intelligence circles, Antisa, wants to find two men resembling Mato and Joso, to impersonate them before the Hague investigators, and hopefully bring down the indictments. Naturally, the two men he finds are none other than our heroes, Ante and Dusko.
Eliciting images of cancer, this drama explores the illnesses that plague modern Croatia. Four young junkies in Zagreb maturing in the wake of war reflect the petty hatreds, violence, prejudices and mood hanging over the country like a disease that spreads with no cure in sight.
Janko, a police officer/veteran of the war, who is suffering from insomnia caused by post-traumatic stress disorder, now works as a guard in front of the Russian embassy in Zagreb. Having abandoned his former paramour, the daughter of his police chief, he marries a kleptomaniacal hairdresser named Nana, whom he once caught in the act of picking pockets. He then embarks on an affair with the beautiful Marta, the widow of the war profiteer Dragutin Karlo Stajner, who has left behind him a bankrupted firm, a worthless limousine, several bastards, and at least one angry woman. While Janko and Marta persistently try to divvy up what loot remains before any number of others can claim it, Karlo unexpectedly turns up alive and jumps into the middle of a fray between Marta; Karlo's lover, Julija, a Czech bar-singer; and Julija's husband Vlado, a former henchman of Karlo's who is now trying to lay claim to Stajner's limo.
Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.
