Budapest Filmstúdió

In 1944 Budapest, one of a group of four friends poses a hypothetical moral question to the others, an act that will unexpectedly alter their lives forever.

In the dense and murky woodlands of provincial Hungary, the search for a child murderer drags a once-respected detective into an all-consuming obsession enshrouded by irresolution and despair, even long after he has been taken off the case. What emerges is not a crime story, but a harrowing venture through the darkness of the human soul.

An unsentimental Hungarian film about the edgy relationship between a middle-aged woman and her young, restless daughter-in-law when the son-husband goes to sea for six months.

Áron is a happy child in his family. But at some point things take a different turn, and his mother starts to lose her health rapidly. As this happens, the man in charge decides what's best for Áron without consulting the young boy's opinion, and the boy finds himself thrown out of his warm home into an orphanage in the woods. He's utterly displeased by what's happening, without knowing he has yet to face much worse...

A divorced young math teacher is tormented by her high school students.

A woman and her lover plot to kill her older husband.

When hunting, Zrínyi Miklós finds an Angel with a broken wing. He takes him for a heavenly message and carries him to his castle for cure. Lords and priests come to Zrínyi's court, one after the other, to see Angel. The occasion is appropriate for the ban to win them over to his plan: they should unite their forces to fight for the country's independence.

A story of a mother who had to change her profession from a teacher to a high class prostitute to make a living.

This film, set at the beginning of the 17th century, is the first East-European "Eastern". Bocskai István orders the free Heyducks to shepherd a huge herd of cattle through the country torn to three parts, to the Dalmatian coast, where he can get weapons in exchange, for fighting the Austrians.

The film director starts shooting his film about the manager of a large corporation who committed suicide for mysterious reasons. As the cumbersome process of making a film goes along, everybody involved in it starts having differing opinions of the tragedy, its causes and its victim.

It is 1989, the year of the demise of socialism in eastern Europe. Nevertheless, the one theme of Junk Movie does not refer to this historical moment of high ideals, quite the contrary, the wild, burlesque of a motif-mozaic seems merely to stick it’s tongue out at the arrogant players of politics who have their heads stuck in the clouds. The film rudely points out the mystery and unapproachability surrounding the every-day existence of politics. The scene is a greasy, falling-down block of a pub called the Gólya and its immediate surroundings.

The opera-film, as opposed to Gluck's Vienna version, is a recollection of the ancient tragic Greek myth. Orpheus, who is able to defeat Hades with the power of art, is unable to conquer his own human defects. Amor is sympathetic to Orpheus' sufferings as he mourns his dead beloved, and lets him know the message sent by the Gods, namely that he may take her home from the underworld if he is capable of not looking at her.

A Budapest high school in the beginning of the 1960s. Dini suffers the torments of adolescence. His father had to leave Hungary after the uprise in 1956, and since then Dini's mother has had to take care of her two sons on her own. A friend of Dini’s father, Bodor, is released from prison and moves in with them. Dini and his brother are far from happy about this intrusion on their family life.

Hungary, end of World War II. Five Hungarian soldiers desert their troop which has been directed to Germany. They are escaping with the help of a stamp and unfilled travelling warrants, trying to survive until the war ends.

Reviewers found this somewhat surreal film so visually stunning as to be worth watching even when it was not clear to them what was going on. In the story, Jozef Schrevek is a man with unusual powers which he wishes to pass on to his son before his death, which is coming soon. Unfortunately, his son is much more interested in boozing and womanizing and being a well-known habitué of nightclubs, than in taking his father seriously and receiving his powers and the responsibilities which come along with them. The tension between the two escalates when a young woman enters their lives.

In the country reformatory school both the teacher and the children are trapped by the circumstances. From among the pupils excels Sanyi, who cannot accept the fact that his mother does not love him and he keeps on escaping after her. From among the teachers it is Mr. Csőrös who distinguishes himself by listening to the children, looking for those who escaped, Sanyi feels affection to him.

Merry soldiers arrive in the sleepy Transdanubian town. The cynical woman-hunter, Ferdinándy, learns to know doctor Barlay's beautiful wife at a carnival. She lives a happy married life, and the attentions of the lieutenant are all in vain.

Vendel Imre is a driver, his wife is expecting a baby, they have two sons. Before 1945 Vendel was a military officer. In 1951 they receive a letter from the Ministry of Interior: they will be transported to a forced domicile, allowed to take 50 kg personal belongings per person with them.

Irén and Attila, a not-so-young couple, are in love. All they want is a flat of their own where they could live together. Unfortunately, Hungary in the 70s is no place for dreams.