Revenge of the Pink Panther

Revenge of the Pink Panther 1978

6.40

Chief Inspector Jacques Clouseau is dead. At least that is what the world—and Charles Dreyfus—believe when a dead body is discovered in Clouseau's car after being shot off the road. Naturally, Clouseau knows differently and, taking advantage of not being alive, sets out to discover why an attempt was made on his life.

1978

The Return of the Pink Panther

The Return of the Pink Panther 1975

6.80

The famous Pink Panther jewel has once again been stolen and Inspector Clouseau is called in to catch the thief. The Inspector is convinced that 'The Phantom' has returned and utilises all of his resources – himself and his Asian manservant – to reveal the identity of 'The Phantom'.

1975

The Tamarind Seed

The Tamarind Seed 1974

6.20

During a Caribbean holiday, a British civil servant finds herself falling in love with a Russian agent.

1974

Curucu, Beast of the Amazon

Curucu, Beast of the Amazon 1956

3.80

Rock and Dr. Andrea travel up the Amazon to find out why the plantation workers have left their work in panic, allegedly because of attacks from Curucu, a monster who is said to live up the river where no white man has ever been before...

1956

The Right to Happiness

The Right to Happiness 1919

5.50

The story of twin sisters, one raised in Russia, the other in America, and how their lives diverge and re-entangle.

1919

Forgotten Men

Forgotten Men 1933

1

Producer Samuel Cummins, along with five participants in World War I, discuss the key events of the war as illustrated by an assemblage of battlefield and other documentary footage. This film is not the same as, but seems likely to have either inspired or been inspired by, Norman Lee's British production of the same title (q.v.), apparently released the following year.

1933

Love Life of a Gorilla

Love Life of a Gorilla 1937

1

This little-seen compilation 'educational' documentary from producer Samuel Cummins was an independently-produced jungle exploitation film typical of the 30s. It was inspired after the success of the pre-Code exploitation film Ingagi (1931) about gorilla-worshipping Congolese native women, and after the success of RKO's King Kong (1933). The film speculated that there was social/sexual intercourse or matings between African women and gorillas, after a Ubangi maiden was abducted by a gorilla and carried off into the jungle. It was considered scandalous and "off-color" by the Board of Review because of the theme of "the mating of women with wild animals and because of nude figures in the picture." The film included sensational content (ineptly interspersed with horrible stock footage) including a few shots of topless native women (censored versions superimposed fake ferns over bare breasts) and lusty gorillas (men in monkey suits). (filmsite.org)

1937