Төп сүз Lapd

Starting over isn’t easy, especially for small-town guy John Nolan who, after a life-altering incident, is pursuing his dream of being an LAPD officer. As the force’s oldest rookie, he’s met with skepticism from some higher-ups who see him as just a walking midlife crisis.

Bored and unhappy as the Lord of Hell, Lucifer Morningstar abandoned his throne and retired to Los Angeles, where he has teamed up with LAPD detective Chloe Decker to take down criminals. But the longer he's away from the underworld, the greater the threat that the worst of humanity could escape.

A locally born and bred S.W.A.T. lieutenant is torn between loyalty to the streets and duty to his fellow officers when he's tasked to run a highly-trained unit that's the last stop for solving crimes in Los Angeles.

The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their self-interests intact.

Deputy Police Chief Brenda Leigh Johnson transfers from Atlanta to LA to head up a special unit of the LAPD that handles sensitive, high-profile murder cases. Johnson's quirky personality and hard-nosed approach often rubs her colleagues the wrong way, but her reputation as one of the world's best interrogator eventually wins over even her toughest critics.

Based on Michael Connelly's best-selling novels, these are the stories of relentless LAPD homicide Detective Harry Bosch who pursues justice at all costs. But behind his tireless momentum is a man who is haunted by his past and struggles to remain loyal to his personal code: “Everybody counts or nobody counts.”

Adam-12 is a television police drama that followed two police officers of the Los Angeles Police Department, Pete Malloy and Jim Reed, as they patrolled the streets of Los Angeles in their patrol unit, 1-Adam-12.

Major Crimes explores how the American justice system approaches the art of the deals as law enforcement officers and prosecutors work together to score a conviction. Los Angeles Police Captain Sharon Raydor heads up a special squad within the LAPD that deals with high-profile or particularly sensitive crimes.

A slightly unhinged former Navy SEAL lands a job as a police officer in Los Angeles where he's partnered with a veteran detective trying to keep maintain a low stress level in his life.

Hunter is an American police drama television series created by Frank Lupo, and starring Fred Dryer as Sgt. Rick Hunter and Stepfanie Kramer as Sgt. Dee Dee McCall, which ran on NBC from 1984 to 1991. However, Kramer left after the sixth season to pursue other acting and musical opportunities. In the seventh season, Hunter partnered with two different women officers. The titular character, Sgt. Rick Hunter, was a wily, physically imposing, and often rule-breaking homicide detective with the Los Angeles Police Department. The show's main characters, Hunter and McCall, resolve many of their cases by shooting dead the perpetrators. The show's executive producer during the first season was Stephen J. Cannell, whose company produced the series.

Follows the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.

Fastlane is an American action/crime drama series that was broadcast on Fox from September 18, 2002 to April 25, 2003.

A raw and authentic look into the Los Angeles crime scene, going far inside the lives of cops, criminals, victims and their families. The show centers on four main characters: Officer John Cooper, a seasoned cop who will have to prove himself again after recovering from surgery; Officer Ben Sherman, who still has much to learn after recently completing his training rotation; Detective Lydia Adams, whose unending caseload hits closer to home; and Sammy Bryant, a former detective who decided to go back to being a uniform cop after the traumatic death of his partner.

Shades of L.A. is an American crime drama television series that aired from October 10, 1990 until April 6, 1991. Det. Michael Burton of the Los Angeles Police Department is a casual cop until he finds himself in limbo after a bullet grazes his head. He finds himself surrounded by "shades" - spirits trapped between heaven and hell until they can complete any unfinished business on earth. Once resuscitated, he can still see the "shades" so goes about helping them.

Burke's Law, a revival of the 1960s cop television series of the same name, aired on CBS from 1994 to 1995. The series centers on Amos Burke, a senior Los Angeles police officer and millionaire, and his son, Peter, who is a detective under his command.

Detectives and prosecutors revisit their most challenging homicide cases in this chilling true-crime docuseries.

Travis Marks and Wes Mitchell were LAPD's dream team on the homicide squad, but constant bickering got in the way of their work and the two ended up on probation. To revive their flagging professional relationship, their Captain sends them to couples therapy to help understand and resolve their conflicts.

From the tony Beverly Hills to the seedy side of Hollywood, LAPD’s elite Robbery Homicide Division is on the case. Fusing classic ripped-from-the-headlines storytelling with the backdrop of LA, the series delves into the high profile crimes of the west coast.

Lone-wolf detective Angie Tribeca and a squad of committed LAPD detectives investigate the most serious cases, from the murder of a ventriloquist to a rash of baker suicides.

Martial Law is an American/Canadian crime drama that aired on CBS from 1998 to 2000, and was created by Carlton Cuse. The title character, Sammo Law, portrayed by Sammo Hung, was a Chinese law officer and martial arts expert who came to Los Angeles in search of a colleague and remains in the US. The show was a surprise hit, making Hung the only East Asian headlining a prime-time network series in the United States. At the time, Hung was not fluent in English, and he reportedly recited some of his dialogue phonetically. In many scenes, Hung did not speak at all, making Martial Law perhaps the only US television series in history that featured so little dialogue from the lead character.