Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.
Peter Dunning is a rugged individualist in the extreme, a hard-drinking loner and former artist who has burned bridges with his wives and children and whose only company, even on harsh winter nights, are the sheep, cows, and pigs he tends on his Vermont farm. Peter is also one of the most complicated, sympathetic documentary subjects to come along in some time, a product of the 1960s counterculture whose poetic idealism has since soured. For all his candor, he slips into drunken self-destructive habits, cursing the splendors of a pastoral landscape that he has spent decades nurturing.
A coda to the suite Kirchheimer began with 2018’s Dream of a City, One More Time poignantly intercuts our last glimpses of the cycle’s black-and-white, late-fifties New York with color outtakes from 1981’s Stations of the Elevated, depicting a different yet equally distant moment in the life of the city. Placed simultaneously between and beyond these two eras, the film becomes a lyrical lament for the promised New York that never was.
