In the Chatterley country estate, monotonous days follow one after the other for Constance, trapped by her marriage and her sense of duty. During spring, deep in the heart of Wragby forest, she encounters Parkin, the estate’s gamekeeper. A tale of an encounter, a difficult apprenticeship, a slow awakening to sensuality for her, a long return to life for him. Or how love is but one with experience and transformation.
The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.
1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?
A transgender woman returns – with her two male lovers – to her family home in the countryside to look after her dying mother.
A young American falls obsessively in love with a mysterious courtesan named Melania against the backdrop of a dilapidated Eastern European landscape.
Mimi isn't a star, she's just someone. A close-up of the singularity of a real life. An encounter of someone's particular story, romance, fantasy and territories.
January 1966. In a Paris apartment, police discovers the corpse of Georges Figon, the man who broke the scandal of the Ben Barka affair and undermined Gaullist power.
Kamel and his brother Bouzid live in Bab el Oued, a working-class neighborhood in Algiers. Kamel is a loner, disillusioned and taciturn. Bouzid, more jovial, is an Internet enthusiast. He spends his time in a cybercafé chatting with girls from all over the world. Without really believing it, he invites them to Algiers. But one day, Laurence, one of his French correspondents, tells him that she accepts his invitation.
A group of young people are organizing. One night, they face the police who came to evacuate an African squat. Carmen meets Hussain, a young afghan poet. Crazy in love, they don’t leave each other. But a curse hangs over the city, papers are carrying death, bodies are falling. Panicked at the idea that he could get arrested, Carmen forbids him to go out, and locks herself with him. Gradually, Hussain get the feeling that she is watching him…
The story is inspired by the biblical myth of Lazarus. The main character is called Lazarus who was a follower of Jesus, brother of Martha and Mary who was resurrected by Jesus.
A filmmaker returns to Normandy thirty years after a working on a movie based on a local homicide and tries to find the actors who worked on the project.
The strange relationship of a man and a woman, the latter having surprised the erotic antics of this one with a stranger, missing since.
Nicola, a young filmmaker, drags an amateur film crew along to meet Matthieu, a paralyzed poet in an electric wheelchair, who lives in a mill. As time goes by and nothing really takes shape, Nicola realizes the inanity of his project, the film slips more and more out of his control and he becomes increasingly absorbed in a ludicrous, poetical search for inspiration.
