Instituto Nacional de Cinema (INC)

An analysis of the phenomenon of accelerated urbanization in Brazil, and more particularly in Rio de Janeiro and Sao Paulo.

An allegory about Brazil's history and the struggle for power since the 1930 Revolution until the advent of the TV.

The importance of the Cannes Film Festival in world terms and what it represented for Brazil in 1971. For Brazilian cinema, Cannes 71 represented the transition from film to industrialized production. It is the meeting of producers, technicians, critics , celebrities in general, offering opportunities for greater knowledge and renewal of values

Delfino, a quiet man who lives in Congonhas do Campo, a small historical town in the state of Minas Gerais, Brazil, is urged by his friend to steal the image of the Madona de Cedro (the Cedar Madonna), sculpted by Aleijadinho in the 18th century, from the town sanctuary.

The panorama of film production, from 1898 to 1966, told through the work of young pioneers who built the odyssey of cinema. The lines, styles and trends are in this anthology of many of the best moments of Brazilian Cinema, which seeks, in a moment of maturity, to perpetuate and encourage the impetus of the pioneers.

This film denounces the exploitation of natural resources by certain industries of extraction and transformation. This documentary is considered as the first Brazilian film on this theme.

Documents the arrival of progress with the construction of the Belém-Brasília highway, to improve the living conditions of the people in the cities in the interior of the country. It also presents interviews with people from the region, who express their opinion about the benefits brought by the highway.

Documentary made in the municipality of Luziânia - Goiás, presenting a black community, a remnant of the old quilombo.