Juris Podnieks Studio

A headstrong young woman is married to land baron. Her feelings for her son's tutor becomes a complex web of unrequited love.

Vyacheslavs Kashcheyevs is a man who feels the world with each single one of his atoms and breaks the stereotype about physics as a dry and impersonal field of science. In parallel to splitting electrons in the laboratory, he seeks a connection to the Almighty, and is a dreamer, an exceptional scientist, family man and educator, socially active and civically minded. What allows him, unlike most of us, to be so harmonious and seemingly omniscient? Together with quantum physicist, theological authority and Latvian patriot Vyacheslav Kashcheyev, the film searches for the code to modern-day life.

The film is an emotional story about fateful historical events in the 20th century, which took place in three Baltic countries- Latvia, Lithuania and Estonia. The story is also about their efforts to gain independence.

Film takes us deep inside the world of Latvian teenagers in 90s: combining the intimate diary of a teenager Jānis trying to find himself by joining a subculture, as well as a skillful, detailed and almost documentary-like depiction of the beginnings of the second independence of Latvia. “Jelgava ’94” is a portrait of a generation in the 1990s who are searching for their own identity and are fans of alternative culture. This is a touching story about us as youngsters, when everybody is against the whole world and tries not to become “one of them”. But can one keep the promise? The story is based on the best seller by Jānis Joņevs set in the 1994 in the Latvian city of Jelgava.

Imants Veide is writing a script about con artists and their schemes. Together with his friend Harijs Kuharjonoks he's trying them out for real for greater authenticity, but gets too entangled in real criminal schemes. More and more colorful characters appear on the horizon, but Imant's main adversary on the road to criminal excellency is his Neighbour, a true iron lady with balls bigger than all those involved combined.

For 91-year-old Ruta acting is not just a career: it is her lifestyle. Once again, she starts working on a new role. This time the theme of the play provokes questions about her own life: how does one deal with ageing? And, most importantly, - is there a specific time when an actress should leave the stage?

“Under the Upturned Moon” is a documentary that tells an outstandingly gripping story of two journalists investigating the depths of Islamic community in a country as small and seemingly insignificant as Latvia.

A film about the attack on the Ministry of Internal Affairs in 1991 when Latvia was regaining its independence from the Soviet Union. Several people were killed in the attack, including two cameramen, Andris Slapiņš and Gvido Zvaigzne, who were part of Juris Podnieks's team. Who was behind the attack, and why has this matter not been solved yet?

An ordinary day turns into an adventure and becomes an extraordinary day.

How the Stripped one and the Dotted one were playing in one sandbox and how it all ended.

Artis Baranovskis is a "registrator". He helps his clients by setting up fake companies. An hour before leaving to his own wedding, Artis has to find Jana, who's a fake shareholder of a company with a million euros on its account. Once she's found and her looks changed to those of a rich lady, Jana realizes her power and starts to play her own game.

A documentary about Latvian partisans ("forest brothers") who were fighting against the Soviet occupation long after the end of WWII.

Folded, rewritten, thrown away, wrinkled, crossed out, stuffed in a pocket, handed to the book keeper, only to find out later that it was the wrong one; then written down, torn out, worn out, sometimes crumpled up, with morning coffee stains. The film’s protagonist walks around the pulp mill with jagged movements, performing his duties. “I doubt we’ll meet again. I really do,” he repeats to himself, addressing the void.

Rudolf is a 13 year-old boy obsessed with filmmaking. As a matter of fact, it’s the only thing he’s really fond of. His main interest is horror films, and he uses a special technique to make them – drawing each shot on long strips of paper. He shows the films on a slide projector with a special live soundtrack. Rudolf ’s story illustrates the conflict between the imaginary world of a boy and the society surrounding him, where everybody expects him to live according to certain rules and dogmas. How does he cope with it? The biggest surprise comes when the local priest asks Rudolf to make a film to be played during the service.

It is a bit funny and a bit sad story about snowmen and…spring. Everyone has got their time and place in this world. Like that rabbit who managed to get fresh carrots in spring.

Latvian Imants Tillers is one of the most important Australian artists of his generation, creator of installations, sculptures, paintings and graphic arts. His work is a kind of a world book – events connect and cultural references intertwine in a mutually interactive system, nurturing his own search for identity.

Sometimes even those who are used to crawling, get to fly.

A film examining the game of doubles of democracy and capitalism since the restoration of independence in Latvia. Freedom from the USSR, pilfering the state, victory in Eurovision, joining the EU and NATO, the greatest crisis in the world – a quarter century of contrast and challenges.

A father who has just been released from prison strives to reconnect with his son. Good intentions are hindered by unexpected obstacles. An unforgettable day spent by the two together might turn into the very last day for one of them.

The existence of two parallel communities – one Latvian, the other Russian, is the reality of present day Latvia. After the establishment of an independent Latvian Republic in 1991, the Russian speaking community began to see themselves as a threatened minority and started to depict themselves as oppressed. Where does the truth lie? Are there victims? Or is it simply that the idea of integration, for both sides, does not work properly?