Ego Media

The Man Who Saved the World is a feature documentary film about Stanislav Petrov, a former lieutenant colonel of the Soviet Air Defence Forces.

When 15-year-old rebellious Stefi goes missing, her mother Helena has nothing left to lose anymore – why cling to sanity when madness offers a chance for reconciliation and love?

A Latvian tragicomedy about a young artist who bears witness to the dramatic political upheavals of the WWII era. As brutal regimes come and go, his country, his village, his people, and even his heart are swept up in the inexorable currents of history.

Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.

Through following the twists and turns of three generations of women in the Russian-speaking Latvian film director’s family, the film attempts to look at the reality of the half-million community of Russians in the Baltic countries in 2020. Through the story of a grandmother – a veteran of the Second World War who came to Latvia in 1955 in search of a better life, a mother – a lecturer in a closing down Transport and Telecommunication Institute , and an eighteen-year-old daughter – an artist, a student of the prestigious Latvian Art School. The film tries to understand whether this family managed to find its place in the new society after 30 years of Latvian Independence.

The protagonist of the film, Viktors, after losing his eyesight not only gets over depression and sense of estrangement but goes on living a full-fledged life – he forms a relationship, finds strength and motivation for mental development. Aware of his difference from the ones who can see, Viktors does not feel unworthy and loses no hope. Instead, he perceives the inconveniences, caused by the elusive or illogical attitude of the society and lawmakers, with humor, as if they were curiosities.

Lame-o’s is set just before the Millennium, in 1999, and is the story of three school friends who are among the most unpopular girls in their class. The friends are determined to radically change the situation. The three friends at the centre of the story are Sarmīte, Sveta and Katrīna, who are studying in the last class of the secondary school. The upcoming Millennium and their approaching graduation make them undertake various measures to become appreciated and liked, which eventually challenge their friendship.

After the lives of several people are tied into a intriguing knot upon meeting police officer Krasts one hot summer day, they’re all brought together again on a full moon winter night. Intrigue develops among a couple of lovers, Gints and Elga, three adventure-race participants with one woman, Renate, on their team, three generations of a family whose father, Karlis, died in a tragic hunting accident, Karlis’s daughter Aija, his former lover Livija, and a young girl hardened by life, who lives at a Christian home for expectant mothers. A detective twist is added by a bit of poison, which one of them will get.

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?

A story about a city built as a paradise but turned into hell – a city slowly turning into paradise again, just in a different way. Igor has been living in the Chernobyl Zone for almost ten years, for peace and a chance to escape modern civilization. Psychological issues, both personal and global, are still troubling him, and he embodies both harmonizing peace and supernatural stress. And an existential secret – the secret of the essence of life. He is surrounded by the elderly inhabitants of Chernobyl, living in villages entirely overcome by nature. They lead their unrealistic Atlantean lives, from which even war in Ukraine seems to be happening on another planet.

When his family moves to the city of Zlín and 16-year-old David joins a new hockey team, the Wolves, he is determined to succeed. There’s, however, the other goalie, Miky – and his position seems unshakeable. The team doesn’t welcome David with open arms either. Captain Jerry and his gang do as they please, while the team follows the ‘law of the pack’. David has been weakened by his recently discovered diabetes, and that is not tolerated here. He is still coming to terms with his body, learning to estimate the insulin doses his life depends on. On the team, David is the outsider, bracing the avalanche of bullying that gradually gains speed.

Ieva has been an obedient granddaughter for years – choosing a safe career in a bank as her grandmother wanted. Her mother left the family years ago when she had to look for work abroad. That has made ties between Ieva and her grandmother especially tight. Dissatisfaction with the constant adaption to the material world is flickering under the surface and Ieva lives her dreamlife with her friends. She plays the keyboard in a girl band and stays out late. When Ieva decides to have a provocative tattoo on her arm made, her grandmother goes completely nuts.

Piirissaar is a tiny Estonian island in Lake Peipus, on the very border of Russia. The Russian Old Believers who inhabited the island appeared here 300 years ago, during the Great Northern War, fleeing from the religious reforms in the Orthodox Church and to avoid being mobilized in the Russian army. As the waves have washed the island smaller and smaller, the community here has also fused over time, inevitably reaching the brink of extinction. However, the local culture and sense of life that developed in isolation from the rest of the “Russian world” has not yet completely disappeared from Piiriissaar.

Mikhail Tal. From a Far is a documentary exploring the unpredictable and tragic life of the genius world chess champion Mikhail Tal, Riga's native son. Mikhail Tal becomes the youngest world chess champion at 23. The same year, he was diagnosed with incurable kidney disease and given only one year to live. Through sheer will and reckless abandon he managed to live another 40 years, filling them with a string of remarkable chess successes, unexplainable failures, amorous conquests and a life-threatening game of cat and mouse with the KGB.

Chechen boy Mansur, who was born and grew up during war in Chechnya, thanks to his mother Sacita’s persistence and his own talent, garners awards in dance contests all over the world, reminding people of his nation’s culture and valour.

1940. On the border between Latvia and the USSR, a woman is killed in front of her house as she tried to protect her son from the liberating attack of the Soviets. Almost 80 years later, the archive photo bearing witness to this news item and representing a collateral victim of the European Union’s founding conflict forms the starting point for a journey undertaken by Davis Sīmanis. He navigates from one side to the other of this border, which today represents another separation, one that is geographical but also cultural: between Europe and Russia.

Vitaly Mansky’s intimate and insightful new documentary finds him crisscrossing Ukraine in the wake of the Maidan uprising, which has left his relatives scattered on both sides of a highly charged and dizzyingly complex political situation.

After receiving an edict from the municipal authorities about the closing of their school, the students at Mežvidi primary school continue to attend lessons and exercise creativity and fun, but it’s all clouded in a sense of fatality. They aren’t many students, and because of that the school resembles a large family rather than an institution. Near the Russian border, deep in the Latgale region, this place will become a nowhere-land once the youth depart. In an intimate message about a national problem, the story focuses on three sisters for whom life is about to drastically change. Through their daily lives and small adventures we try to understand the real meaning of the contention that “the countryside is dying”. And we see hope.

Leningrad, 1970. A group of young Jewish dissidents plot to hijack an empty plane and escape the USSR. Caught by the KGB a few steps from boarding, they were sentenced to years in the gulag and two were sentenced to death; they never got on a plane. 45 years later, filmmaker Anat Zalmanson-Kuznetsov reveals the compelling story of her parents, leaders of the group, "heroes" in the West but "terrorists" in Russia, even today.

A youngster Andis, 21 offers a friend of his grandmother Mara, 80, who is dying, to fulfil her every wish in exchange for her apartment after her death. This agreement lets both of them rethink their attitude for what they actually want.