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A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.

The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.

A Hong Kong historical drama

The film traces the relationships that develop between the protagonist Xu and the three women he meets, set against the backdrop of the Second World War.

Woo Ting-ting (Julie Yeh Feng) is a smart, tall, introverted and snobby young girl who embodies the idea of the unattainable beauty. On the other end of the spectrum, Ting's younger sister Bin (Jeanette Lin Tsui) is an outgoing, fun and bright girl-next-door type who exudes youthful energy. Ting's cold demeanor makes a lot of boys give pause about pursuing her, but the arrival of car dealership employee Kam (Roy Chiao) changes everything. Meanwhile, Bin's flirty nature attracts too many boys, and it finally becomes trouble when the wealthy Li (Tian Qing) grows obsessed with her.

The Kong family has four daughters. Hilda, the eldest sister, assumes the role of a mother and often lets romance slip by. Third sister Hedy introduces her to Sun Ruhao, an engineer, but Sun is snatched by second sister Helen. The youngest girl Hazel drops out of school in pursuit of love. Hedy shows no interest in romance but is chased by a rich heir, He Yan. Meanwhile, Hilda runs away to meet her true love in a foreign land. As for Hedy, she is at last won over by He.

Grace Chang delivers an eye-opening performance as a lusty nightclub singer climbing the social ladder in seedy Wanchai. Borrowing story and song elements from Georges Bizet’s CARMEN, this Wong Tin-Lam directed musical has flair and polish to rival Hollywood, and a superstar leading lady that would any film industry would have a tough time matching! A key film from the celebrated Cathay Film Studios.

Back in 1959, air hostess was considered one of the most glamorous and privileged occupations for young girls with a dream. This first colour production of MP & GI details the ins and outs of the profession and takes the three lead actresses, Ge Lan (Grace Chang), Julia Ye Feng and Dolly Su Feng through a series of tough training. After their graduation, the film then brings them, and the audience, to exotic places like Bangkok, Singapore and Taiwan.

A young lady has taken the place of caring for her two younger brothers since the death of their mother. She is content with putting her life on hold whilst she cares for them until one day...

Hong Kong drama directed by Wong Tin-Lam.

Tso Kea was adroit in adapting film and literary classics from the West, organically transplanting stories and characters onto Chinese soil and nurturing them to glorious fruition. Love Lingers On is based on the gothic novel Wuthering Heights and Tso shepherds Emily Brontë's tale of profound passion, thwarted love and bitter vengefulness with a perfect balance of broad narrative strokes and delicate orchestration of mise-enscene. He wisely concentrates on the lead characters' simmering mental troubles, greatly enhanced by stars Cheung Ying and Mui Yee, who overcome glaring age differences with their characters to bring life to this saga of vivid emotions.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

Wang Xinglian returns from her studies in Japan to visit her father in Hong Kong where she has an encounter with the young Japanese Hasegawa Toru. The two meet again and fall in love in Hokkaido when Wang and her best friend Sugimoto Kanako are going on a holiday. Urged by her friend Zhang Yingming to concentrate on her studies, Wang remains ambivalent about the relationship, and is even more upset to realise that Sugimoto is in love with her fellow countryman. Feigning an engagement with Zhang, Wang initiates a break-up with Hasegawa and finds work in Singapore after graduation. Hasegawa learns the real cause of the break-up from Sugimoto in Hong Kong. A frenzy search finally leads to a reunion and a proposal in Kuala Lumpur. However, their love is doomed by a twist of fate as Wang must leave to see her desperately ill father in Hong Kong while Hasegawa has to leave for America to pursue his career.

Hong Kong horror / mystery.

Lau Ching-yee sets out to investigate the raid on her uncle's consignment of silver when she stumbles upon two suspects, the stately Cheung Ting-yu and his attendant Mang Leung. Cheung makes the acquaintance of the knight-errant Poon Mo, who is recruiting allies to join the band of martial adepts against Tsak Sing-tau in the ring to win 20 chests of jewels for the poor. Failing to pressure Cheung to turn over the silver, Lau engages him in a fierce fight until the respected elder Moh Oh-ming intercepts and settles the dispute. Who is behind these strange events?

Romantic melodrama set in contemporary Hong Kong, Japan and Laos. Hiroshi Tanaka (Takarada) is a Japanese journalist on assignment in Hong Kong who meets and falls in love with Wu Li Hung (Ming). He proposes to Wu Li but she rejects him because of her distaste for mixed marriages (her mother was Japanese but deserted her family and returned to Japan during WWII). Tanaka locates Wu Li’s mother and unsuccessfully tries to reunite them, but eventually Wu Li accepts his proposal. A joyous Tanaka flies off to Laos to finish an assignment but on the eve of his wedding he is killed there.

Vagabond singer Ali is embroiled in a dispute over love and is compelled to return to his own country. Ali is mistaken for the future queen's consort and chances to meet her majesty Law Yee. Law falls head over heels for Ali and they get married not long after. However, Ali finds royal formalities unbearable and decides to run away from the palace. Disregarding all rules, Law follows her man to wherever he goes.

This is an adaptation of the folk story, “Jin Yu Nu beats her heartless groom with a cane”. Jin Yu Nu, a beggar’s daughter, is a beautiful and kind girl. On a snowy day she saves the life of a poor scholar, Mo Ji. When Mo recovers, he marries Jin with love and gratitude. Mo wins the third place in the imperial examinations, but now he is looked down upon because his wife is a beggar's daughter. Extremely embarrassed and ashamed, Mo wants to divorce but has no excuse. Jin then jumps into the river and Mo has deep regrets but it is too late. Later, Mo’s senior Ambassador Lin appreciates his talents and wants to marry him his daughter. On the wedding night, the bride orders Mo to kneel in her room and beats him hard with a cane. Not until then does Mo know his bride is actually Jin, who has been saved by Lin. At the end, Lin knows Jin still loves Mo and helps the couple reunite.

A Hong Kong drama

A HK comedy film starring Jeanette Lin Tsui and Hung Yeung.