Yong-ju, Gi-woong and Gi-taek used to be best friends in middle school, but in high school, Gi-woong becomes a member of the gang that bullies Gi-taek. As Yong-ju tries to fix this broken relationship, he realizes his special feeling toward Gi-woong.
Flight attendant Won-gyu left Korea 2 years ago with painful memories and now comes back. Won-gyu meets Tae-joon, who is a quick service delivery man and has a special night with him.
Gi-tae who is going to terminate his military service goes on a road trip with Jun-young by drugging him with a sleeping pill. They learn more about each other and come to terms with their sexuality.
Min-Seo, a 17-year old rebellious high school Korean girl, lives in a small apartment with her mother and her mother’s penniless lover. She hates her mother’s lover and doesn’t understand both of them. Karim, a 29-year old Muslim migrant worker from Bangladesh has to leave Korea in a month. Before departing, he is desperately searching for his ex-boss to get his unpaid salary. One day, as Min-Seo’s summer vacation begins, Karim encounters Min-Seo on a bus, and together they set out on an emotional journey.
Three part omnibus film, with each story connected to the 2014 Sewol ferry disaster, in which over 300 people, many students, perished when the ship sank.
The documentary Two Doors traces the Yongsan Tragedy of 2009, which took the lives of five evictees and one police SWAT unit member. Left with no choice but to climb up a steel watchtower in an appeal to the right to live, the evictees were able to come down to the ground a mere 25 hours after they had started to build the watchtower, as cold corpses. And the surviving evictees became lawbreakers. The announcement of the Public Prosecutors’ Office that the cause of the tragedy lay in the illegal and violent demonstration by the evictees, who had climbed up the watchtower with fire bombs, clashed with voices of criticism that an excessive crackdown by government power had turned a crackdown operation into a tragedy.
Mother disappeared. Son faces the truth that was hidden for thirty years. In 1983, a twisted love story among a woman, a revolutionary, and a fraktsiya unfolds.
Jinmu starts to record things he should remember with a camera after hearing that he could lose his memory due to the prearranged brain surgery. Memories of family and his forgotten father comes to Jinmu's mind as he takes records of his life.
A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.
Seong-ho is a musician with an autistic disorder who has an extraordinary talent in music. But he is trapped in the world of video games and television. His mother has chosen the life of his shadow to groom him into a professional musician. Her only wish is to ‘Live an hour longer than Seong-ho.’ She would like to leave Seong-ho to his little brother Geon-gi, but he still considers his brother ‘bothersome and useless’. Two brothers go on a trip to Europe without their mother for the first time. “It’s a practice for when mom isn’t here.” This family’s cacophony is slowly forming a concerto.
Nora Noh, the best fashion designer, who dominated the scene of Korean women’s fashion and culture of the time. She was the first person ever to hold a fashion show in Korea and to make designer readymade clothes. She boldly dressed the Korean singer Yoon Bok-hee in a miniskirt and styled the duo vocal group Pearl Sisters in pantallong (flare-style pants). One day, when Noh was preparing for her show, a young stylist named Suh Eun-young comes to see her out of the blue. What kind of show will the two of them create amidst their differences and conflicts?
The movie, which seemed likely to be a video study by a local researcher on comfort women in the military camp town, is becoming an increasingly fictional world, including visits by the dead, resulting in historical, fantastic and allegorical results.
During the Japanese colonial period, 22 Korean female workers were forced to work in a spinning mill in Osaka across the sea to support their families. Despite facing discrimination and violence, their testimonies and life-affirming songs of victory have endured.
Sang-woo knows his teacher's secret: a visit to a gay bar. Kyeong-hoon and Sang-woo embark on a journey about their sexuality and their relationship and their place in society.
This film takes place during the winter of last year when there was a nationwide slaughter of livestock to put a stop to the foot-and-mouth disease. Filmmaker Yun witnesses hundreds of pigs buried alive in a neighborhood farm. She suddenly realizes that she has never seen a pig before, and decides to follow its life closely. Yun goes deep into the mountains to meet a pig farmer who raises his pigs in a traditional way. Observing the daily routines of the mother pig Ship-soon and her piglet Don-soo, Yun discovers new facts she has never known before. As she develops a bond with the lovely pigs and acknowledges another side of the farm and meat industry, it becomes more difficult for her to enjoy pork cutlets as she used to. And to make matters worse, her husband and young son, Do-young, are not making her choice of daily menus easier. As she falls into a deep dilemma, what is she supposed to do? Her awareness about eating meat begins to penetrate her every day.
Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.
Recording Nguyen Thi Thanh, the only survivor of Phong Nhi Phong Nhat massacre, where civilians were killed during the Vietnam War. Having lost all of her family at the age of eight and survived by herself, she is an open witness to the massacre of Vietnamese civilians and demands an official apology from the Korean government.
The documentary starts with a diva of a tragic family history related to a history of migration. The rare archival footage reanimates her history reverberating with the current world crisis. Sound of Nomad: Koryo Arirang is a testimonial – a witness to injustice and tragedy, but it is also a declaration of survival – a survival that is not static but transformative – not brittle but fluid. The trains that displace, the deserts that separate form one harsh horizon – a historical limit – but within that limit, against it and across it are people, are a culture, not escaping but flourishing unofficially, with the affective majesty of a melody, a rhythm, an Arirang
