Production Center of Andrei Konchalovsky

When the communist government raises food prices in 1962, the rebellious workers from the small industrial town of Novocherkassk go on strike. The massacre which then ensues is seen through the eyes of a devout party activist.

The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. A reserved community has been set up here. Despite the modern technologies and a spaceport nearby the people of the village live the way they would in the Neolithic Era. There is neither government nor social services or jobs. The postman's beloved woman escapes the village life and moves to the city. Postman's outboard engine gets stolen and he can no longer deliver mail. His normal pattern of life is disrupted. The postman makes a decision to leave for the city too but returns before long with no certain reason. The script is based on real characters' stories. People from the village play their own parts in the film. The search for the protagonist lasted for over a year.

The life of Michelangelo Buonarroti.

The historical drama set during the Second World War centres on three people whose paths cross: a Russian aristocratic emigrant and member of the French resistance, a French collaborator and a high-ranking German SS officer.

A pretty, young girl from a coal-mining town comes to Moscow with dreams of becoming a supermodel in this satirical look at the fashion industry.

Based on Ryunosuke Akutagawa's In a Grove, story takes place during the times of Tsar Alexander II. A lady-in-waiting tells the Emperor in his bedroom a metaphysical story about a 13th century prince who is killed in the woods under mysterious circumstances. Fairy tale characters who have witnessed the terrible death, all share their version of the events, gradually shedding light on what really happened.

On the forest lake the person "from nothing to do" killed a Seagull. The symbolism of this story allowed Chekhov to Express the psychologically complex "inextricably unconnected" relationships of the characters living near a beautiful lake, suffering, hoping, searching, but unable to find themselves and their place in life.The most difficult in the fate of Anton Chekhov, but also the most famous and popular play in theaters in the world. Its simplicity, unique theatricality and stage longevity attract Directors and actors who, with each new production, offer the audience to unravel the mystery of the play, in which the author presented the drama of people in the Comedy genre. Famous film Director Andrey Konchalovsky offers a new version of the play, insisting that the stage action he staged is exactly the version of "the Seagull" that Chekhov intended it to be.

From a casual conversation with a stranger, truck driver Nikolai learns about his wife's infidelity. On the way home, he picks up the beaten Ksenia, who cannot be left alone on the winter track. Nikolai and Ksyukha embark on a strange journey, and none of them suspects how it will end.

An old widower, former WW2 radio operator, perceives flashing bulb as his late wife's messages from Heaven. His love will never die even when the lights are gone.

Andrey Konchalovsky's project "the Burden of power" is about unpopular decisions of heads of state and political figures in power. The heroes of the cycle "Burden of power" can not be called fighters for liberal ideas, but they paradoxically had a huge impact on the fate and development of their countries. "I am very interested in documentaries. It has a different function than the artistic one. I can Express my thoughts directly here. In documentaries, I speak in the first person, and I am responsible for my words. I am seriously concerned with the relationship between power and culture. The "Burden of power"series is about people who are most often perceived from the point of view of cliches ("Secretary of the Central Committee"," dictator"), and little thought is given to what role they played in the life of the nation."

What is culture? Does the culture of its roots in ancient traditions? What role do geographical features of a country play in the history of its culture?

What makes a person, an artist who has several decades of international cinematic success behind him, break down and start a new life? People's artist of Russia, winner of many domestic and foreign awards, world-famous film Director Andrey Konchalovsky entered the theater world in 1987, staging the Opera "Eugene Onegin" in Italy at the La Scala theater... In the film, viewers will be able to trace the creative – almost twenty years! – the path of the Director in the performing arts, to see unique moments of rehearsals, fragments of his theatrical productions – the Opera "the Queen of spades" with outstanding artists Mirella Freni and Vladimir Atlantov, the acclaimed performance "Miss Julie" on the stage of the Moscow theater on Malaya Bronnaya, "War and peace", staged at the Mariinsky theater, the Metropolitan, as well as fragments of Grand outdoor performances staged by A. S. Konchalovsky.

With the help of his smartphone camera, the young director Grisha, an admirer of Tarkovsky and Kurosawa, creates an amazing video universe. After the first hundred thousand views, sponsors begin to come to him, offering to light up either a bookmaker's office or a pack of crackers in a new video. Choosing between creativity and money, Grisha commits a difficult act.

"In the dark" is a short film about the love of cinema, made for the anniversary of the international Cannes film festival, Directed by A. Konchalovsky. One of the 33 films-parts of the almanac "Everyone has their own movie".

In the film Battle for Ukraine Andrei Konchalovsky, the famous Russian director, analyzes how Ukraine, a former part of the Soviet Empire and present big European country, struggles to escape from the close embrace of the former big brother, Russia, and not to become one of the American satellites. This extensive study lasted for almost three years. Many Ukrainian, Russian and American historians, politicians and journalists took part in this study, as well as the ex-President of Poland Aleksander Kwasniewski, the ex-President of Slovakia Rudolf Schuster, the ex-President of Georgia Eduard Shevardnadze, the seventh Secretary-General of the United Nations Kofi Annan, the ex-Prime Minister of Russia Viktor Chernomyrdin, and the businessman Boris Berezovsky.

Andrey Konchalovsky's project "the Burden of power" is about unpopular decisions of heads of state and political figures in power. The heroes of the cycle "Burden of power" can not be called fighters for liberal ideas, but they paradoxically had a huge impact on the fate and development of their countries. The film about Heydar Aliyev is part of Andrey Konchalovsky's cycle "the Burden of power" about the great politicians of the twentieth century. This cycle began with a film about Yuri Andropov. It was Andropov who promoted Heydar Aliyev as a politician, because he saw him as a close associate in the upcoming reform of the Soviet Union. Unfortunately, the story followed a different scenario: the USSR collapsed, and Heydar Aliyev was thrown out of politics. But he managed to return to it as a winner, overcome the turmoil, become the President of Azerbaijan, and give his people confident guidelines for moving into the future.

Waffle works in an emergency crew that fixes leaks in hot water pipes. He has a unique sense of hearing and can precisely locate a leak. During yet another descent into the depths, Waffle hears a strange voice.

The mother sent the teenager to learn how to swim with a good trainer. After the first classes, the boy staged a local revolution in the pool. It seemed more important to resist than to learn how to swim.

“Homo Sperans” is a portrait of a Russian person composed of many images. The film's heroes are common men who answer with their lives the universal questions: what is the purpose of our existence, what is happiness, what is it to be a patriot. Their strength is in their ability to keep their chins up and always believe in a good outcome.

The play is based on a classic love triangle. This is a story of temptations, disappointments and bitter betrayal, like a plague, that struck three lives on a white summer night – the aristocrat Julie, her father's servant Jean and the maid Christina. This is a story about how one Midsummer night, intoxicating with the riot of nature, including human nature, can change people and make them lose their usual appearance, exposing their animal desires and passions. To turn a happy couple in love into an unhappy, high - born mistress into the slave of their lackey, driven by base passions, and what has always been called love, to turn into a Sizzling vulgar lust. What is this force that so ruthlessly reveals to us the other, animal nature of man, and can it be resisted?