The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. And he wants Marianne as model.
We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.
Jeanne d'Arc has succeeded in lifting the siege on Orléans and Charles VII has been ordained King of France. However, she is injured in her failed attempt to take Paris, weakening her position at court. When she is finally captured and put on trial, she finds both her life and the sanctity of her body at stake.
A group of men and women have been brought together after World War II, when Italy regained its national and territorial unity. They make up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life, and look to protect themselves from violence, misery and fear. Amid the ruins of this post-war period, these men and women build a new rapport between themselves, between sexes, between generations, between social and geographical origins, between political camps.
Julien is a clockmaker with destructive impulses who decides to blackmail Madame X, a rich, attractive woman who traffics in stolen antiques. What he doesn’t know is that she has an even more dangerous secret that leads him to Marie, with whom he had fallen in love a year earlier.
The film will tell what happens to a group of characters, precisely between July 14 and August 15, 1994 in Paris. It will tell the story of three young ladies, Louise, Ninon, Ida, in the summer of 1994, their adventures in the big city. On the streets, in the gardens, in ballrooms and in libraries and lofts, deserted at the time of holidays and summer heat, Louis, Ninon and Ida proceed on mysterious paths.
A man returns to visit his native Sicily after living in New York for a long time. He learns about the Sicilian way of life from stylized conversations with an orange picker, his fellow train passengers, his mother, and a knife-sharpener.
A fearless Antigone, refusing to allow the dishonored body of her murdered brother Polynices to be devoured by vultures and dogs, defies the Thebian tyrant Creon by burying him.
Convinced that only she can lead France to victory against the invading English, Jeanne d'Arc leaves her childhood home to plead Charles, heir to the French throne, to allow her to guide his troops on the battlefield.
This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.
When he loses his position as a powerful government minister, Vincent is dropped by his pretty mistress and must begin life anew, without the privileges of power. As he gradually becomes acquainted with milieus which he d either forgotten or never known and a host of sometimes eccentric, often remarkable everyday people, Vincent really begins to start living again.
After biologist Sylvie discovers her brother Paul trying to steal a gun from her lab, he explains that he wishes to avenge the death of their father whom he suspects died at the hands of his business partner.
An ice-cream seller lusts after the female employees in his shop.
General Montriveau, having returned from the Napoleonic Wars in despair, quickly becomes enamored with Duchess Langeais. Across a series of nocturnal visitations, the Duchess mercilessly toys with her hot-tempered suitor, as the machinations of a shadowy conspiracy unfold in the background.
A young man enters a brothel and sees a staged narration of a Chinese folk tale concerning a female pirate.
Vittorio stops to help Kate when her car breaks down on a mountain road. When they meet again, Vittorio discovers that Kate has rejoined a circus after a long time away. He begins to learn about the troupe's buried past and Kate's connection to it, while experiencing the magic of the circus.
A couple goes on a hike in the woods, and the woman refuses to return.
Nicholas is the eldest son of a wealthy suburban family, whose businesswoman mother makes deals from a helicopter and has an affair with her business partner. His cheerful, alcoholic father, on the other hand, is reduced to a prisoner in his room with his devoted dog and electric train set. Unbeknownst to his parents, Nicholas works as a window cleaner and dish washer in a Parisian cafe. He is also in love with the daughter of another cafe's owner, who, however, has an abusive boyfriend. One night, Nicholas sneaks a few drunken drifters into his family wine cellar and his father unexpectedly takes a liking to the stranger.
Nathalie is being stalked. By an interesting, intelligent young woman called Anaïs, who makes quite an impression on Nathalie, whose real name is Célimène and who happens to be a writer experiencing a crisis.
Anna, Joyce, Claude and Lucia are all students under the tutelage of Constance Dumas, a renowned film instructor. Lucia moves in with the other girls. Soon after, she is attacked on the street outside her home and saved by a mysterious stranger.
