Fair Film

In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.

During the Korean War, Joe Moran, is convicted for striking a colonel. Imprisoned in Germany he encounters his former company commander Captain Ross, jailed for black marketeering. Together with Ross' cohorts Joe agrees to escape with them, but things go wrong and a policeman is killed. An appalled Joe escapes by himself, abandoning the others, who are recaptured. Years later Joe has a boat rental business where he is found by Ross. Now a wanted drug smuggler he wants the use of Joe's boats and to ensure his cooperation, they kidnap his wife and daughter.

Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.

Arrested on suspicion of a hit and run, a succesful architect is put in prison awaiting trial or release. Whilst there he witnesses the grim reality of life behind bars: corrupt staff, corrupt inmates, an inhuman judicial system and the power of the Mafia.

A group of rogues steal a scroll granting its bearer the property of the land of Aurocastro in Apulia, a province in the south of Italy. They elect a shaggy knight, Brancaleone from Norcia, as their leader, and decide to get possession of this supposedly wealthy land. Many adventures will occurr during the journey.

La Califfa's husband was killed during the strikes so she takes the side of the strikers. Her conflict with the plant owner Doverdo gradually turns into a love relationship.

Vittorio Gassman stars as different characters in each of the nine episodes of this unusual Italian comedy. Playing everything from a practical joker to a prisoner, he comments upon romance, love and women in general.

The myths of the sixties are satirized in 20 episodes.

A crooked detective begins investigating a situation on behalf of a friend and gets involved in murder, deception and double-cross.

A young impoverished aristocrat and struggling writer falls for the charms of an aspiring starlet, whose amoral nature and hungry curiosity drives her from one adventure to another.

The young Giovanni, who grew up in the provinces, arrives in Rome with the dream of becoming a famous journalist, but no newspaper is willing to hire him. Waiting for better times, the boy finds a job as a gas station attendant. One day he becomes the victim of an accident with the beautiful Giulia, who runs over him with her car. A relationship will arise between the two but Giovanni, in her naivety, has not yet understood that she works as a luxury prostitute.

March on Rome (Italian: La marcia su Roma) is a 1962 comedy film by Dino Risi with Vittorio Gassman and Ugo Tognazzi, aimed at describing the March on Rome of Benito Mussolini's black shirts from the point of view of two newly recruited, naïve black shirts

A mute gunslinger takes on an oppressive landlord in 19th century Valencia and falls in love with a local woman.

A middle-aged businessman finds himself in thirst for romance adventure, and it seems that a proper partner is not far away.

After saving an infant of royal blood, knight Brancaleone forms a new army and sets out to return the baby to his father: a prince fighting in the Crusades.

Don Giuliano Niccolini Borges, Roman prince and member of the Pontifical Noble Guard, is very much attracted to Jane, an English girl he has met that is accompanying him on a pleasure trip to Switzerland. He has some plans for hanky-panky on their various stops along the route, but Jane has other plans as she is only with him because his car has a special-identification license plate and can go through customs without inspection. The car clears customs as does the stolen million dollars she is smuggling. Sandro, her former boyfriend is following and plans to hi-jack the loot, leaving Jane empty handed.

A trilogy of comedic tales set in the Middle Ages.

Two devils from Hell are sent to Earth to cause trouble. Belfagor and his faithful sidekick Adramalek must start a war between Rome and Florence in 1478.

In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz. But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out. Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking” bandidos.

Pietro is a young bourgeois lawyer who married Giuliana, a pretty girl who was a little unscrewed, and met at a party of artists. Despite the premises, everything between the two seems to work best.