10.7 Productions

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

A journey through the artistic life of the British-American rock band The Pretenders, formed in 1978, and a portrait of its leader, the charismatic singer and songwriter Chrissie Hynde.

A portrait of the famous French actress Fanny Ardant, who has worked with great figures of cinema such as Agnès Varda, Alain Resnais, Michelangelo Antonioni, Sydney Pollack and, above all, François Truffaut (1932-84), with whom she had a sentimental relationship and whose death marked the rest of her life.

The documentary explores the Triet method by diving behind the scenes of the film Anatomy of a Fall, Palme d'Or at Cannes in 2023. Through the testimonies of Justine Triet, Arthur Harari, and the actors, it invites you into the mysteries of the making of the film, and of the director's cinema.

This new intimate documentary looks at the extraordinary journey of the 75-year-old American rocker, who has come back from everything, and especially from the worst, but with his capacity for wonder intact.

In just ten films, Maurice Pialat painfully rose to the top of the cinema, draining into his legend a mad demand for truth as much as memorable fury to achieve it. With "L'Enfance nue", his first feature film at the age of 43, the filmmaker immediately made his mark, this "art of making things authentic", according to Chabrol. But throughout an unclassifiable filmography in the form of an autobiography, from a break-up to his fatherhood in wonder, through the agony of his mother, the filmmaker does not get rid of the feeling of being misunderstood, despite international recognition.

Who, apart from moviegoers, knows Alice Guy (1873-1968) today? However, she was the first woman behind the camera and the first female director and producer of fiction films in history.

At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.

In September 2020, a trial opened at the Palais de Justice in Paris to judge those who participated in the murderous attempt to destroy a newspaper. This historic trial is that of those days in January 2015, when France witnessed live the assassination of the editorial staff of "Charlie Hebdo", the very person who had revived the newspaper in 1992. In 2020, it is in a bunker in Paris, that a new editorial staff still keeps freedom of expression alive. Starting with the trial of the January 2015 attacks and immersed in the current editorial staff of the newspaper, this documentary returns in archives, testimonies and drawings on the history of "Charlie Hebdo".