C.R.I.M. Produções

A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.

Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.

A surreal portray of the abandoned Russian settlement Pyramiden on Spitsbergen from the point of view of a traveller lost in space and time.

At 30, Jiro embarked on a year-long trip taking in the Soviet Union, North Africa, Europe, and the United States. Nearly half a century later, his daughter makes use of various memorabilia to take a step back in time and explore how such adventures have shaped the man’s take on the modern world.

Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.

Algarve, late 90s. Following the death of her grandmother, Milene - a strong young woman full of life despite a slight mental handicap - divides her life between her family of notables and a Cape Verdean family that keeps her going, whom she met when her grandmother died. The wind that whistles in the cranes plunges us into the world of two families against the backdrop of Portugal's recent past.

In Sarajevo, in a cinema’s projection booth, lives Sena; a woman who in daily solitude repeats the projection of the few Yugoslavian films of which there are copies. Through a combination of silence, the everyday gestures of this woman and the films that are projected from her living room, comes a film built like a day in Sena’s life. Through the films that Sena projects, we are taken on a journey in both collective and personal memory. The film offers a portrait of intimacy crossed with a history witnessed by cinema; a history which Sena has conserved.

Jorge de Sena was forced to leave his country. First he moved to Brazil, and later to the USA. He never returned to Portugal. During his 20-year-long exile, he kept an epistolary correspondence with Sophia de Mello Breyner Andresen. These letters are a testimony of the profound friendship between the two poets, letters of longing and of desire to “fill years of distance with hours of conversation”. Through excerpts and verses, a dialog is established, revealing their divergent opinions but mostly their strong bond, and their efforts to preserve it until their last breaths.

Portrait of a tannery in Beira Alta and of its workers. The film follows the lives of Carla and Lúcia, the only female workers left after the departure of Patrícia, whose disappearance is the subject of much talk among the workers and serves as a metaphor for the future of the factory after the economic crisis that stormed the country.

Bound by a silent pact, five students make a secret trip to the country for what seems to be an initiation ceremony. In threatening landscapes and abandoned ruins, they submit to the strange rituals of their leader, the Dux.

Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.

Side Effects is the story of a woman who's not afraid to believe that happiness is not only possible but the only truth to be achieved. A woman who won't give up believing in people. A woman who will fight against all adversities in order to let others not to give up a life worth living. Nowadays, the desire for happiness is a real heroic act.

A man, a child, two wars, a river, a tree. A man and a child meet under a tree on a river bank, sharing the same memory and a secret. They find in each other the serenity, the silence and the time they lost in the flowing water of the river.

Theatre is life, as movement is life. In "Truth or Dare?", Sofia Marques sets off in search of her friend and actor Luis Miguel Cintra; and Cintra is in search of himself, both excavating the matter and memory of theatre, the matter and memory of life. At home surrounded by statuary and by his Porto, by the sea and in Spain where he was born, on a stage of light and shadow, in the films of Manoel de Oliveira or in the poems of Ruy Belo.

Luis Miguel Cintra, renowned actor, stage director and director of the Portuguese theatre company Teatro da Cornucópia, staged the play Illusion in early 2014. This play was based upon texts by Federico García Lorca. However, the 119th company's show was no ordinary show, for in the cast there were 59 non-actors, amateurs and theatre students.

This film dives into a new world of possibilities, from the diversity of emotions tcreated by this one man alone in this house to his behavior and transformation on the world that he is creating.

Cinema and affections from life in images and what goes on outside the frame. 'Snapshots' of shootings and the present-day memory of directors, actors and technicians.