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Dazzling, brash and dynamic, yet equally graceful and poetic. DIVINING was Judith Jamison's first major work as a choreographer for Ailey, evoking a strong feeling for African tribal ritual, is set to hauntingly rhythmic drum music. REVELATIONS, often describes as the company's signature tune, has become an American classic. It expresses Ailey's intense feelings for his roots, with Ailey's vivid "blood memories" of the blues, spirituals, gospel music, ragtime and folk songs as well as the hard life of the Southern black during the Depression. Set to Modern Jazz, THE STUCK-UP takes place in modern-day Harlem, about the cruel reality of urban street life as a young man is destroyed by drugs. CRY, choreographed by Alvin Ailey in 1971 for Judith Jamison, is one of his most famous pieces. Created as a birthday present for his mother, it is Ailey's tribute to black women and inspires moving emotions with its portrayal of struggle, anger and most importantly, its feeling of celebration.

She is the great-granddaughter of a Russian princess. She grew up in a mansion with 97 rooms, Flora Danica on the table, 14 servants and a ruthless mother. Denmark's richest girl became an equestrian, photographer, war hero, society girl and 1.87 m tall. "The Giraffe" loves men, tolerates women and admires Dame Edna. In Per Wennick's documentary film, the baroness with the deep voice, 84-year-old Varvara Heyd née Hasselbalch, tells about her colorful life, growing up, work during the war, marriages, snobbery and the fortune that dwindled.

A religious mystery opera; a magnificent doomsday vision. Composer Rued Langgaard's opera on the moral decay of modern society features the Royal Danish Opera and the Danish National Symphony Orchestra conducted by Thomas Dausgaard. Performers include Sten Byrel, Anne Margrethe Dahl, John Lundgren and Camilla Nylund. A Danish co-production by the Royal Danish Opera and the Danish Broadcasting corporation from 2002.

Set at the start of the twentieth century, the movie deals with the orphaned boy Álfgrímur, his adoptive grandparents, and the small, tolerant community of misfits and eccentrics they gather around them at Brekkukot, their cottage in Reykjavík. As Álfgrímur begins to encounter the minor politicians, businessmen and social-climbers of the growing town of Reykjavík he starts to question his future as a fisherman's grandson, and is increasingly fascinated by Garðar Hólm, the celebrated Icelandic "world singer" whose sporadic returns to Iceland encourage Álfgrímur to pursue his own personal goals of self-expression. He discovers the true value of his boyhood experiences only as he sets out on a path that will take him away from them forever.

The autonomous neighborhood, Freetown Christiania, fights for its survival. Due to its open marijuana trade location, Pusher Street, the Danish government decided in the spring of 2003 to raid the small commune and convert it into a conventional neighborhood.

Alvin Ailey played a key role in the growth of modern dance in USA and his company, founded in 1958, is one of the USA’s oldest dance troupes as well as one of the most youthful and vital on the dance scene. In this two-part program, members of Ailey's dance company celebrate his memory by performing three works choreographed by Ailey himself, as well as a special ballet tribute choreographed by Ulysses Dove. Each piece is introduced by Judith Jamison, the dancer and choreographer whose career was nurtured to stardom by Ailey, and who was, at the time of this production, Artistic Director of the company. The Alvin Ailey Dance Theater is uniquely eclectic in range, repertory, and style. As a choreographer, Ailey explored the black experience and went beyond, finding universal human truths in all his work.

An animated musical short about the strange animal Hugo living in the jungle.