Back in 1959, air hostess was considered one of the most glamorous and privileged occupations for young girls with a dream. This first colour production of MP & GI details the ins and outs of the profession and takes the three lead actresses, Ge Lan (Grace Chang), Julia Ye Feng and Dolly Su Feng through a series of tough training. After their graduation, the film then brings them, and the audience, to exotic places like Bangkok, Singapore and Taiwan.
A Hong Kong historical drama
Grace Chang delivers an eye-opening performance as a lusty nightclub singer climbing the social ladder in seedy Wanchai. Borrowing story and song elements from Georges Bizet’s CARMEN, this Wong Tin-Lam directed musical has flair and polish to rival Hollywood, and a superstar leading lady that would any film industry would have a tough time matching! A key film from the celebrated Cathay Film Studios.
The film traces the relationships that develop between the protagonist Xu and the three women he meets, set against the backdrop of the Second World War.
FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.
The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.
Chen Liujin and Zhang Lihong have a chance encounter with Wang Shu and Li Rong during an outing to the beach. Chen admires Wang, but Wang has fallen for Zhang's charm; Zhang fancies Li, whose heart is set on Chen ironically. The two young men seek to approach their objects of affection on the pretext of inviting the dream date of each other to an outing in the country during which they are teased and made fun of by the two women. To wipe away the shame, Wang and Li plot to intoxicate the women, who pretend to be in a drunken stupor while calling for help from their uncle and father respectively. In front of the elders, Chen declares her love for Wang, and Zhang for Li. Hit with the realisation of the women's sentiments, the two men reciprocate their respective admirers with their well-deserved love.
This is an adaptation of the folk story, “Jin Yu Nu beats her heartless groom with a cane”. Jin Yu Nu, a beggar’s daughter, is a beautiful and kind girl. On a snowy day she saves the life of a poor scholar, Mo Ji. When Mo recovers, he marries Jin with love and gratitude. Mo wins the third place in the imperial examinations, but now he is looked down upon because his wife is a beggar's daughter. Extremely embarrassed and ashamed, Mo wants to divorce but has no excuse. Jin then jumps into the river and Mo has deep regrets but it is too late. Later, Mo’s senior Ambassador Lin appreciates his talents and wants to marry him his daughter. On the wedding night, the bride orders Mo to kneel in her room and beats him hard with a cane. Not until then does Mo know his bride is actually Jin, who has been saved by Lin. At the end, Lin knows Jin still loves Mo and helps the couple reunite.
A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.
Sojourning in Macau, Su Erning by chance helps Pan Meiniang resuscitate his younger brother and fends off the thug. In her admiration, Pan calls off the engagement arranged by her mother to exchange vows with Su despite having known him for only three days. To raise the money for the wedding, Su plans to sell his family yacht to the rich wife of his classmate Lu Zuhua in Hong Kong and promises to buy Pan a pearl necklace. The promiscuous Mrs Lu seduces Su on the yacht and then dumps him. 18 years later, Pan's daughter is getting married. Su prepares a wedding gift—a stolen pearl necklace—for the bride but is too ashamed to show himself.
Tso Kea was adroit in adapting film and literary classics from the West, organically transplanting stories and characters onto Chinese soil and nurturing them to glorious fruition. Love Lingers On is based on the gothic novel Wuthering Heights and Tso shepherds Emily Brontë's tale of profound passion, thwarted love and bitter vengefulness with a perfect balance of broad narrative strokes and delicate orchestration of mise-enscene. He wisely concentrates on the lead characters' simmering mental troubles, greatly enhanced by stars Cheung Ying and Mui Yee, who overcome glaring age differences with their characters to bring life to this saga of vivid emotions.
Wang Xinglian returns from her studies in Japan to visit her father in Hong Kong where she has an encounter with the young Japanese Hasegawa Toru. The two meet again and fall in love in Hokkaido when Wang and her best friend Sugimoto Kanako are going on a holiday. Urged by her friend Zhang Yingming to concentrate on her studies, Wang remains ambivalent about the relationship, and is even more upset to realise that Sugimoto is in love with her fellow countryman. Feigning an engagement with Zhang, Wang initiates a break-up with Hasegawa and finds work in Singapore after graduation. Hasegawa learns the real cause of the break-up from Sugimoto in Hong Kong. A frenzy search finally leads to a reunion and a proposal in Kuala Lumpur. However, their love is doomed by a twist of fate as Wang must leave to see her desperately ill father in Hong Kong while Hasegawa has to leave for America to pursue his career.
The Kong family has four daughters. Hilda, the eldest sister, assumes the role of a mother and often lets romance slip by. Third sister Hedy introduces her to Sun Ruhao, an engineer, but Sun is snatched by second sister Helen. The youngest girl Hazel drops out of school in pursuit of love. Hedy shows no interest in romance but is chased by a rich heir, He Yan. Meanwhile, Hilda runs away to meet her true love in a foreign land. As for Hedy, she is at last won over by He.
Devotion, should be grim enough a lesson for my teenager in love. Little Kitty Ting Hao suffers due to social evils that ruthlessly rob her of the inalienable right to marry Chang Yang, the man she loves. Her incidental misbehaviour with Chang, which leads to the birth of a fatherless baby, does the final nailing of her coffin. Fortunately their daughter is intelligent and strong enough to be the master of circumstances and fights for her own love.
On her mother's order, Luk Wai Wai goes to the Shi family to serve her eccentric aunt, Mrs. Shi, but she accidentally witnesses a murder and is almost killed by the murderer, Tam Pak Lam. The murderer, Tam Pak-lam, is almost killed by her. In order to avenge his father's death, Tam Pak-lam sneaks into the Shi family to carry out his murderous plan.
Yeh Wei-fang, a rich young lady, flirts with her suitors and hopes it would make Shi Rongsheng, the cousin she loves, angry. But Rongsheng doesn’t pay attention to that, and lectures her for lacking self-respect. Tao Wen-ping, Rongsheng's friend, gets to know Wei-fang. He invites her to go to the resort house borrowed from Rongsheng, but is fooled by her. Wen-ping gets to know Fang's sister, Wei-ling, by chance. Sharing common interests, Wei-ling grows a secret love for him. Wei-fang's home has a JP’s son as a guest. Rongsheng invites Wen-ping to join. Wei-fang knows that Wei-ling likes Wen-ping, but she shows intimacy towards him. Another guest, the antiquary Prof Ho Chi-hua, arrives, he is infatuated with Wei-fang. Wei-fang shows zeal for both, who in the end quarrel and fight. Wei-fang finally declares her love for Rongsheng under the pressure from Wen-ping and Chi-hua, who had a fight over her. Rongsheng's evasiveness proves weak for Wei-fang's quest for his love.
Musician Sun Ping is estranged from his wife. Second daughter Yinzheng lives with Sun while eldest daughter Jinliu follows her mother. By coincidence, the sisters both enter the 'Calendar Girl' pageant but Jinliu deliberately lets her sister win the contest. Later, the sisters and Liu Bucheng perform in Sun's musical show. Though the show is a success, Yinzheng decides to quit in order to get married. Not wishing to disappoint their father, Jinliu devises a plan to make Yinzheng stay on, but the plan misfires. Yinzheng leaves angrily. She is at last brought back to the show due to Liu's mediation. The elders also reconcile as the sisters perform together on stage.
A Hong Kong drama
A young lady has taken the place of caring for her two younger brothers since the death of their mother. She is content with putting her life on hold whilst she cares for them until one day...
