ARTE

Durch die Nacht mit … is a German documentary film television series produced by ZDF for Franco-German television channel ARTE. Locations are mainly in France or Germany. The title of the French version is Au cœur de la nuit. Two Celebrities spend an filmed evening together. One of them is the host who sets the location and the program. There is no moderator.

A sensual approach to culinary art "on the ground", meeting farmers, winegrowers, restaurateurs and cooks, where gastronomy and the art of living have their roots.

Berlin, 1888. After penniless Ida’s life is saved at the Charité Hospital she must work off the treatment costs. While she becomes acquainted with the most brilliant physicians of this era at the world-famous hospital, the self-determined young woman discovers her passion for medicine.

Dramatic events unfold in Croatia and Ukraine. The first girl drowned, the second one died from a drug overdose. The main suspect in these deaths, however, soon turns out to be innocent - and dead too. While detective Vladimir and reporter Stribor struggle to solve these murders in Croatia, the niece of Olga, an Ukrainian philanthropist, goes missing in Kyiv.

A travelogue that explores the landscapes, people and histories of North and South America.

Twenty-four short films by 24 female writers, performed by 24 women actors, all based on women’s real life experiences of sexism, harassment, and violence. A diversity of female voices and talent from across Europe come together for a series that tackles head-on the everyday brutality experienced by women.

At the height of the Cold War in 1960, André Merlaux joins the French Secret Service and contends with enemies both foreign and bureaucratic.

This German format is not a series properly speaking, as it has no permanent cast or script continuity, but presents each time a 45 minutes documentary, usually in part presented as a docudrama (not faction, as close to scientific knowledge as possible, but visually attractive), elaborating a specific historical theme, widely varied, often exotic in the sense of a far time (as far back as prehistoric times) and/or place (around the globe), although some episodes fit together well, chronologically or thematically, but always fit to be watched separately. Usually authentic locations are used, as well as scenes from and/or interviews about the scientific research it is based upon.

After going before the judge for the third time, 15-year old Manon is placed in a reform centre for six months. Challenged by her own uncontrollable temper, and the bureaucracy of the institution, will this be Manon’s last chance at redemption?

Ambitious Jana is confronted with the unscrupulous machinations of the world of finance. Her working life is determined by egotism, the pressure to succeed and machismo. She soon has to decide how far she is prepared to go for her career.

The two-part documentary “Automania” unfolds the history of the automobile as a relationship between man and machine. The car: drug, technical wonder, object of desire. Like hardly any other machine, the car is more than that. It is loved, cherished and cared for, protected and used for self-expression. At the same time, it is a sign of economic prosperity: whoever drives a (certain) car has made something of himself. And what applies individually also applies to societies: The car creates jobs and prosperity. But the dream relationship that lasted for 100 years has fallen into crisis. The films tell in an entertaining, moody and emotional way about the rise of the car to become an icon of the West and suggest future prospects. The films combine factual informations with nostalgically colourful memories of eyewitnesses. In addition, there are statements by experts as well as politicians and business representatives.