Thanhouser Company

In "The World and the Woman", Jeanne Eagels plays Mary, a prostitute (which is implied by her walking the streets and being hassled by policemen) who reluctantly takes a better position at a country lodge as a maid. In this woodland community, she attends church and the path to Salvation becomes clear to her. Through Mary's faith, the injured folk of the countryside are healed. However, her old employer, whose lustful advances she'd previously spurned, still has designs on her.

Based on the novel of the same name by Mrs. Henry Wood (Ellen Wood).

A love story filmed in Long Island Sound with a stowaway and a shipwreck.

Southern California locations vividly suggest both elemental pre-Roman Britain and classical Rome. An energetic cinematic pacing and intimacy show rapidly improving narrative technique and realism well beyond the limitations of the stage. Especially cinematic are the bedchamber scene in the first reel, with its intimate cinematography and acting and special lighting effect, and the battle scene of the second reel, considered very effective in its day.

When his play closes down, an actor returns home to find that his children are gone. He's then notified that a wealthy relative has died and left him a substantial amount of money. Preserved by the Academy Film Archive in 2007.

A one-reel crime drama with crooks, ruses, kidnapping, escape, and a twist, all wrapped in a coherent narrative.

During his daily duties, Casey the Cop rescues a woman who's soon his sweetheart. Later, she learns from her banker uncle that her inheritance has been stolen, and he's accusing Casey's own cashier brother. Casey is on the case.

Nello was a little boy who lived with his aged grandfather near Antwerp. They were very poor, but because they loved each other so much were happier than many persons who enjoyed luxury. The child's only friend, outside of her grandfather, was an animal, who has gone down in history as "A Dog of Flanders."

An indictment of the evils of child labor, the film was controversial in its time for its use of actual footage of children employed in a working mill.

Henry Dennys, a wealthy Englishman, has two sons who are frequently brought into the company of Edith Danvers, whose father, a retired general, lives on the adjoining property. As the youths approach manhood each one unknown to the other is secretly in love with the girl.

Silas Croft was a kindly old Englishman who had a farm in South Africa. With him resided his two nieces, whom he had taken from their drunken, worthless father when they were of a tender age. Jess, the elder, was brilliant and educated; Bess, the younger was beautiful, but frankly admitted that she did not possess the mental attainments of Jess. The two were great friends, and Jess, although the senior by only three years, had almost a motherly affection for her pretty little sister. Croft, finding old age stealing upon him, advertised for a partner, stipulating that he must be a gentleman. Probably it was his secret idea that the right man might come along, and fall in love with his favorite, beautiful Bessie.

A crippled little girl lives at home with her parents and her grandmother. She loves her grandmother deeply, but her parents can't get along with the old woman, and the girl is torn between both sides.

A girl, beautiful but heartless and ambitious, was the daughter of a poor miner and was devotedly loved by a man in her own station of life. She accepted his attentions willingly until a young engineer came along and paid court to her. She then dismissed her first suitor. Her father made a lucky strike, and they moved to the city to enjoy their wealth. This sealed the fate of the second suitor for a rich man became smitten with the girl and she accepted his advances. Perhaps she would have married him in time had it not been that she aroused the enmity of an old witch, deeply skilled in magic.

Thanhouser Company three-reel silent film based on Charles Dickens’s story of an English lad's tribulation-filled journey to adulthood, Thanhouser released the three films over the course of three weeks beginning on October 17, 1911, one 1,000 foot reel per week.

An innocent man is accused of murdering his aunt.

A young girl is kept ignorant of her mother by her aunt. After her aunt dies, the girl is used by crooks and arrested. In prison she meets a kindly woman, who is married to a judge. The woman, unbeknownst to the girl, is her mother, and adopts her. The companion of the deceased aunt, in the midst of a ball, denounces the mother and reveals her secret to the judge and guests. The judge will not forgive his wife, so the mother and daughter leave and work among the slums to benefit humanity. Eventually, the judge relents, and seeks his wife for forgiveness, but he is too late.

A romantic young girl, visiting St. Augustine, finds that she must make the choice which means happiness or misery for life. She has two suitors, one an everyday young American who has made his way in the world and is proud of it. He has money, will have more, and in every way would seem desirable. But the other man had ancestors!

Sicilian king Leontes jealously accuses his wife Hermione of infidelity with his best friend, and while imprisoned, she delivers a child. Sent away, the child is raised by Bohemian shepherds. The Winter's Tale was the first of six Shakespeare adaptations from Thanhouser, and was the 13th or 14th title from the studio in its first nine weeks of releases.

Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.

Silent adaptation of Shakespeare's King Lear