Posing as West German journalists, East German documentary filmmakers Heynowski and Scheumann pay a visit to the notorious Nazi-turned-mercenary Siegfried “Kongo” Müller, pump him with booze, and get him to talk about his life and war campaigns in Africa.
Documentary on the master composer, from a GDR point of view.
Found footage documentary about the rise of the nazi party and the second world war.
Documentary about mercenaries from West Germany
The futuristically trendy moderator Chris Wallasch leads the viewer through this program exploring what love might look like in 2002. Passengers at the Berlin-Schönefeld airport are questioned about how they imagine life in thirty years. These interviews are surrounded by a clever and colorful potpourri of flashbacks and flashforwards dealing with the timeless issues of relationships and family.
A sequence of nine individual biographical sketches with a prologue and epilogue on Golzow and the long-term observation. Deepening of the preceding chronicle. The Golzow people in the present, from which retrospective views of the previous life and the life conflicts of the individual are given.
A realistic satire about the path of the German Democratic Republic from its foundation until its 40th birthday. This eye-opening film tells the history of the German Democratic Republic through East Germany's official newsreels and state films.
The story of communist Walter Zauner who in 1952 was one of the first in the Federal Republic to be convicted of sabotage of a military installation.
Archive footage of bomb detonations during the Second World War combined with abstract graphic elements which show the destructive potential of modern nuclear missiles. Together the images are a silent warning of armament and war.
The children of Golzow, six or seven years old, in kindergarten. Their enrollment in school together, the first days of school. Playfully learning the first letter. Conflicts between wanting and having to.
An international anthology about the struggles of female workers around the world.
The foundations and effects of the law to ensure full equality for women are presented with a wide range of examples.
Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.
Sitting at her typewriter, listening to tango music, she dreams. Buenos Aires and Montevideo are far away, a different world where, long ago, the tango came into being. A dream about dance and music, as well as about unfulfilled desire and wanderlust behind the Berlin Wall.
This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.
Martha Bieder is the last rubble-woman in Berlin Rummelsburg. Every day, rain or shine, she stands at the conveyor belt - as she has for decades - sorting through rubble. After a retirement party thrown for her by her male colleagues, she tells her story of being a rubble-woman in post-war Germany.
With films including the 'rubble woman' portrait Martha, the three-part experimental film cycle Potter's Stier, Venus nach Giorgione and Frau am Klavichord, the portrait of the artist Kurzer Besuch bei Hermann Glöckner, and also the documentaries Rangierer and Die Küche, noted for their outstanding sound and visuals, Jürgen Böttcher distances himself yet further from the didactic tone and abstract heroic representation of socialist films.
Young East German men starting their compulsary 18-month military service at a Rostock garrison.
