Talking Heads 1980
People of different age, profession and social status answer two simple questions: who they are and what they want from life.
People of different age, profession and social status answer two simple questions: who they are and what they want from life.
An experimental short film by Walerian Borowczyk and Jan Lenica.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view.
Patients with serious lung diseases, who are now in a sanatorium, tell us about their thoughts and feelings.
A documentary revolving around the Polish situation on an industrial level at the tail-end of the 1960s: it alternates between stark images at a metallurgic foundry and a board-room meeting among the various executives involved in its management.
The "Dudek" cabaret group, Edward Dziewoński’s lifetime achievement, one of the greatest post-war cabaret groups recorded by a documentary filmmaker during rehearsals. The stars of Polish acting could be seen on stage, accompanied by excellent songs by Wojciech Młynarski.
The confession of a man who was the director of a factory in Lower Silesia. "He was a Party member but opposed to the Mafia-like organization of Party members which was active in that factory and region. Those people were stealing and debiting the factory account. He didn’t realize that people higher up were involved in the affair. And they finished him off.’ (Krzysztof Kieslowski)
24 hours in the life of a hospital from the point of view of the doctors and nurses.
Piwowski's documentary debut is a satirical reportage, referring to the poetics of the Czech school at the time. The starting point was an order from a film studio to join a project proposed by the Germans: what do teenagers in your country do on Saturday at 5 pm? Images from the lives of teenagers from Kętrzyn make up a contrasting slice of free time in a small town. Firemen maneuvering to start a fire outside working hours, bodybuilders training, choir rehearsal, dancing in Hitler's former headquarters...
Polish schoolboy Janek, and Russian girl Tanya are traveling by a plane which ended up in the hands of a gang of drug dealers headed by ex Nazi criminal Henrich Scharf.
Each day of the week is represented by a ballerina beginning with a young child and ending with an older ballet teacher.
Documentary about the beginning of Solidarnosc.
One of the first documentary films of Krzysztof Kieslowski. It is a story about everyday life funeral in the 70s
Partly thriller, partly dark comedy, the tagline of this film announce that any resemblance to real-life characters and situations were completely intentional. This had the audience guessing who the main characters were supposed to represent: those biznismeni and post-socialist yuppies who after 1989 teamed up with their former enemies to exploit Poland ruthlessly.
Krzysztof Kieslowski's protagonist is Joseph Malesa, a former party activist, labor leader and mason. The document talks about his career and life through ups and downs
An orchestra of working-class musicians rehearses in this short film, honored at the 1960 Venice Film Festival and among the favorite films of director Krzysztof Kieslowski who mentored under this documentary's director.
The final film produced by Warsaw’s Documentary Film Studio is an epic re-enactment of a treacherous mission by the Voluntary Tatra Mountain Rescue Service to aid colleagues stranded behind enemy lines at the close of World War II (several real participants feature in the film). Based on a short story about the rescue by Adam Liberak, Munk’s final “documentary” is also arguably his first major exercise in the craft of narrative filmmaking.
Dialogue-free short detailing the daily tasks of a man and his wife.