Kulturtuben

Egil (Knut Agnred) is just an ordinary painter. But one day, when he's about to paint a fence, incredible stuff starts to happen!

In the small working community, the entry in the local newspaper hits like a bomb. The signature "Leif" claims that the town's large arms company Rotum exports weapons illegally. Gunnar Volt, CEO of Rotum, gets a shock. Imagine that someone has the audacity to say that about the community's pride Rotum - even if it now happens to be true. He immediately gathers the management and everyone agrees: Leif must be found - and stopped. But who is this mysterious Leif?

Samuel Plottner is a stockdealer who only wants to get richer, but suddenly things starts to get complicated: His sons meets their longlost mother which not only is after Samuels money, but also can tell them what happened to them the day they were born. The financial expert Benny Hörnsteen is also after Samuels money, and so is the clown Conny Corny and Lennart K. Brons too. How will this end?

Roy and Roger decide to close their gasstation for the summer, to try to find where, what and how their lost father is. Roger also falls in love and much more.

A lot of journeys are never made. Some journeys are made. Some journeys shouldn't have been made. Other journeys should have been made. This journey was made. All across Sweden.

The stationmaster is trying to prevent his station from being closed. The train isn't coming and he has to explain to the waiting trainpassengers why it's late, while other people is trying to get the station for their use; for example the italians, who want to make a pizzeria out of it.

"You could have met in the office over coffee and cake to say congratulations, and that would have been that," writes Claes Eriksson in the preface to the 30th anniversary party's program. But that will not be the case...

A story about Vincent Moro, an almost invisible man that works at a refridgerator factory when USA wasn't the A-nation it is today and therefor was called USB. Vincent has been working at the factory for 20 years when he suddenly finds out that he is fired.

20 years together! That is something to celebrate and that is exactly what Galenskaparna och After Shave did by performing a new play, with completely new material and a set of completely new characters.

Alla ska bada hade premiär den 4 oktober 1997. Föreställningen tar sin början under mitten av 1930-talet när Frans-Oskar Bryssel föds. Efter ett tag hoppar föreställningen tio år fram i tiden och vi får se honom när han är 10 år gammal. Han spelas då av Per Fritzell. Handlingen hoppar med jämna mellanrum tio år fram tills han äntligen får bada i mitten av 1990-talet. Under hela föreställningen skildras ämnen som var aktuella under just den epok som då utspelar sig i pjäsen. T.ex. under 30-talet skildras andra världskriget och under 80-talet skildras mobiltelefonin.

Merry Christmas! it says so well, now that it's Christmas again. Christmas concerts or amaryllis, which are most common? We do not know. But we are many who want to be drained on the Christmas spirit. Now this Christmas show is no concert in the traditional sense. We have asked ourselves: Are the little (swedish dancing) frogs really so funny to see? And on this basis we have tried to create a somewhat different Christmas concert, but which we nevertheless assumed Christmas fundamental ingredients.

Grisen i säcken är en av GAS populäraraste produktioner. Den är uppdelad i tre akter: Dansbandsoperan Grisen i säcken, bygdespelet Värmlänningarna kommer tillbaka och slutligen Doktor Haka's rekordrevy (en revy). Föreställningen sågs totalt av 218 000 personer, både Göteborg och Stockholm inräknat.

A group of tourists are shown Tjolöholm caste, by a guide (Peter Rangmar), who speaks home made, incomprehensible english.

One act after another, without having anything to do with one another. Just as it should be.

Axel Hansson is burning. Burning with enthusiasm. Enthusiassm for trains. So when the decision to close down his station he keeps working and pretends that nothing has happened.