Marina is a woman in her thirties who works organizing weddings. Not because she is an inveterate romantic just because, as she says, "when people are in love, they don't care about money". Unlike her customers, she enjoys a life without ties or commitments, until the moment when she falls in love with Carlos. The problem is not only he is about to get married, but also his fiancee is Marina's childhood friend and they have hired her as their Wedding Planner.
Pagliacci, is a 1948 Italian film based on Ruggero Leoncavallo's opera Pagliacci, directed by Mario Costa. The film stars Tito Gobbi and Gina Lollobrigida. It recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. The only actor in the cast who also sang his role was the celebrated Italian baritone, Tito Gobbi, but the film is largely very faithful to its source material, presenting the opera nearly complete.
Achille Scorzella, a poor, unemployed and hungry devil, having been mistaken for a piano tuner, happens in the home of some new riches.
The love triangle between a Countess, a soldier and a younger woman.
Wrongly accused of his wife's death, a marine officer is forced to resign and sees his life fall apart.
Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?
The most explosive and surreal episode of the Maciste series in which we see the hero up against the hardships of the average man: stress, women and cars. The Itala studios are in a disorderly state, the crew watches Maciste in the courtyard as he happily darts around in his new car, a single seater renamed Diattolina in honor of the car maker Diatto, the film’s “sponsor”. Maciste is happy; he caresses the car and talks about his vehicle as if it were his bride. The only thing missing is the honeymoon. But peace and tranquility are not easy to come by: in every corner of the country Maciste is recognized as a generous film star. Waiters, salesmen, passersby and little kids: everyone has a problem for him. Who said something about relaxing? An abandoned castle looks like a peaceful place, but Maciste has not met the wild American girl hiding in the cellar…
Italian-language version of the Germany-made DER TEUFELSBRUDER (FRA DIAVOLO), with different supporting cast and some scenes. Based on the Auber opera, but with generally original music by Dr. Giuseppe Becce.
Directed by Febo Mari.
A young girl, pursued by a band of conspirators, hides in a movie theatre where she watches the film Cabiria. She determines to seek the aid of that film's strongman, Maciste. When she locates him, he helps her overcome her enemies, but not without many thrilling and dangerous adventures.
A romance between two temperamental singing stars. Highlights include a lengthy selection from Faust, with Gigli making a most impressive Mephistopheles. The plot takes a melodramatic turn towards the climax, with the lives of the characters mirrored in their on-stage behavior. Director Carmine Gallone was something of an expert in the field of filmed opera, as witness his Tosca, Rigoletto and Il Trovatore.
Nacht der Verwandlung (A Night of Change) stars Gustav Froelich as a globe-circling aviator, a character clearly based on America's Wiley Post. While basking in his celebrity at a nighttime carnival, Froelich romances Rose Stradner, the unhappy wife of brutish Heinrich George. When George refuses to give Stradner her freedom, she takes it anyway, but her fling with Froelich is doomed to disappointment. Our hero learns the hard way that one can be in a teeming crowd, yet still be all alone. Leading lady Stradner later resettled in Hollywood, where she appeared in such films as The Last Gangster and Keys to the Kingdom.
Comedy about the love life of the Russian emperor.
A Tyrolean mountain guide comes under suspicion of killing a tourist.
After years of detachment Alberto Valli returns to the home of Margherita, his widowed mother, with his mistress Germaine.
