This little-known German film retells the true story of the British ocean liner that met a tragic fate. Ernst Fritz Fürbringer plays the president of the White Star Line, who unwisely pressed the Titanic's captain (Otto Wernicke) to make the swiftest possible crossing to New York.
A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.
In London at the turn of the century, underworld kingpin Mack the Knife marries Polly Peachum without the knowledge of her father, the equally enterprising 'king of the beggars'.
In the mountains of the Ötztal, the wealthy Fender (Eduard Köck) and Wally (Heath Hatheyer), his only daughter and heir, manage a small farm. He wants to marry the rich, but boring, Vincent (Leopold Esterle). Wally escapes to a mountain hut, where she lives alone and withdrawn. Her love belongs to the hunter, Joseph (Sepp Rist). When she unwisely takes a young vulture from its nest and is attacked by the mother, Joseph comes to her aid and from that point on, she fondly calls him her "Geierwally". He also feels attracted to her, but Wally can't escape the feeling, that the young Afra is his mistress. Mad with jealousy, Wally announces that she'll marry the one who kills Josef. Vincent wants to earn her hand and is determined to kill the Geierwally. Just in time, though, the actual relationship between Joseph and Afra is clarified.
After a masked carnival ball, Gerda Harrandt, wife of the surgeon Carl Ludwig Harrandt, allows the fashionable artist Ferdinand von Heidenick to paint a portrait of her wearing only a mask and a muff. This muff however belongs to Anita Keller, in secret the painter's lover but also the fiancée of the court orchestra director Paul Harrandt. The picture is then published in the newspaper. When Paul sees it and asks von Heidenick some questions about the identity of the model, the artist is forced to improvise a story and on the spur of the moment invents a woman called Leopoldine Dur as the alleged model. Leopoldine Dur however turns out to be a real woman whose acquaintance Heidenick makes shortly afterwards.
King Frederick II (aka "Frederick the Great") of Prussia is engaged in a major battle against the Austrian army at Kunersdorf, and things aren't going well. The Austrians are inflicting major casualties, and his army is beginning to crumble. Defeat seems inevitable when a combination of events gives him hope that he may pull victory from the jaws of defeat after all.
Charlie, a very gifted, young acrobat, cannot find employment. A dancer and colleague, whom he trained, has gotten him a job as a stagehand at a vaudeville theatre. After a number of chaotic events and some highs and lows - none of which ever discourage him - his hour arrives: an act can't go on and "Akrobat schööön" can finally make his grand entrance.
Johann Strauss firmly established himself as the leader of a dance orchestra in Vienna in the 1840s. His sons Johann junior and Josef have clearly inherited their father's talent. Nevertheless, father Johann is strictly opposed to both of them training as composers.
Charming Tom is pursuing fine Olivia both cheerfully and stubbornly. At first, she rejects him brutally; but then she finds pleasure in this intrusive guy, who’s following her everywhere. They spend an evening together; but afterwards, Olivia determines, that a valuable bracelet has been stolen from her. Now she thinks Tom is the infamous jewel thief, who’s been terrorizing the neighborhood.
A biographical film of Otto von Bismarck, the Prime Minister of Prussia, and how he and his policies - including aggressive war - helped to unite Germany.
The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!
Produced by the Nazis in honor of the 150th anniversary of Mozart's death: a celebration of his music, as the film shows him traveling to Prague for the Don Giovanni premiere and inspired by his wife to compose the finale.
The intersecting lives of neighbors in a courtyard apartment building in Vienna,including a football player related to the concierge,a new blonde maid hired by the wife of a baron,whom both the athlete and a baron flirt with,and a deadbeat tenant who fakes his suicide.
A grieving husband tries to uncover the truth behind his wife's suicide, leading him to discover a tragic tale of infidelity and redemption.
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the world. The film is constructed like a symphony.
The successful shipowner Georg Behrendsen and his wife Irene are coming from South America to Germany for business. While negotiating in the home of senator Kersten, the senator's son Wilhelm (Werner Fuetterer) is taking care of Irene Behrendsen. The two fall in love with each other and decide to marry after Irene's divorce from her husband. But the old senator forces his son to decide whether to marry Irene or to become head of the shipping company. Not to break the family tradition, Wilhelm decides against the marriage. Irene, full of hatred against the senator, goes back to her husband. 25 years later. The senator is still head of the shipping company, because Wilhelm was killed in the war. He concentrates his love now on his daughter Victoria and he can't refuse any wish of her. Some day she tells him that she has been falling in love with a young german guy from overseas called Peter Behrendsen, not knowing that he is the son of the women who hates the senator the most.
German all-star musical from 1938 that was a big commercial success.
