El puente 1951
The efforts of a community to build a bridge which would allow their children to go school during the rainy season.
The efforts of a community to build a bridge which would allow their children to go school during the rainy season.
A group of kids in a poverty-stricken Puerto Rican rural town need money to purchase baseball uniforms for little league.
The effects of emotional neglect on an only child.
Field workers in Puerto Rico want to have a night school.
A generational conflict is reflected in the old-fashioned ideas of the landowner, who imposes himself as a dominant figure in the political activity of the rural communities of Puerto Rico.
A man believes all the advertising he hears.
A melodramatic romance that tells the story of a community that shuns the arrival of a new neighbor.
A cautionary film about what were thought to be rural superstitions and practices in Puerto Rico.
It tells the story of a slave rebellion on a sugar plantation in the days leading up to the official abolition of slavery on the island on March 22, 1873.
A family relationship drama about a strict father who wants to control his son, who in turn leaves his father's house and moves to the city.
Illustrates the dilemma of a sugarcane worker who has a child out of wedlock without his wife’s knowledge.
A young boy becomes intrigued by one of the characters in his village's celebration of its patron saint.
Zoilo Cajigas y Sotomayor is a carver of wooden models of saints. Don Zoilo is one of Puerto Rico's best-known artisans and was 96 years old at the time of the filming. The film shows the elaborate process behind his craftsmanship.
Details of the life of Juan Ponce de León, founder of the city of San Juan and first governor of Puerto Rico.
The Cordillera de Puerto Rico is presented while Gala Hernández and his group, together with Juaniquillo, perform melodies as part of a traditional Puerto Rican Christmas party.
The role that women should play in the modern-day Puerto Rican family is discussed. The discussion is dramatized by a rural husband and wife involved in a domestic dispute.
In the community of Vega Alta, Puerto Rico, the main character, played by the esteemed comedian José Miguel Agrelot, buys a washing machine for his wife. However, the town has no electrical power. The movie’s depiction of the jíbaro as naive and comical created a rift among the DivEdCo personnel, especially its community organizers. It was censored by the government and shelved for many years.
Educational documentary which extols the different forms of labor, and its importance to Puerto Rico’s progress.
Tells the story about a boy with a mental handicap. It was conceived as teaching tools to inform parents about the issues that they faced when confronted with the health and well-being of their children and of their right to social services.
Prize winner, Venice Festival 1956. The DivEdCo’s most important attempt to depict women’s rights in the context of modernization processes in Puerto Rico. Modesta leads a group of women in Barrio Sonadora, Guaynabo, in a strike against their husbands to demand their rights in a domestic context.