A funny, cruel exploration of the male psyche, Enter Achilles is set in a typical British pub, a shabby, nicotine-stained boozer. Pop songs tumble out of the jukebox, there is football on the TV, and the eight men lark around, pint glasses in hand. But their blokish fun is balanced on a knife-edge of tension, for beneath the mateyness lurks a disturbing undercurrent of paranoia and insecurity, where weakness is brutally exploited and violence covers up vulnerability.
Loosely based on the story of serial killer Dennis Nilsen, it explores the interwoven notions of loneliness, desire and trust. Founded upon the conviction that societal homophobia often results in tragic consequences, the work grapples with the disturbing forces that drove Nilsen to kill for company.
A disparate group of dancers, preferring to express themselves through dance rather than speech, clash with each other and members of the local community.
Strange Fish looks at our quest for someone to love and something, or someone, to believe in. The tyranny of couples and groups, the pain of not belonging and the fear of being alone are all laid bare in a series of powerful images. Strange Fish mixes humour, religious iconography and physicality, taking it beyond the boundaries of traditional dance.
